1864 - 1901
CAVALIER EN HAUT DE FORME AND TROIS TÊTES D'HOMME: A DOUBLE-SIDED DRAWING
Pencil on paper
5 1/2 by 8 7/8 in.
14 by 22.5 cm
The central challenge of history painting lay in selecting a particular subject that could engage the heart and instruct the mind. Grand settings and symbolic accessories proved the artist’s grasp of perspective depth and still-life draftsmanship. Compositions and color schemes had to be carefully conceived to accentuate the principal characters and to clarify the meanings of the incidents. National Gallery
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