Art Blog

01 Work, The Art of War, Nicolas Tournier's Tears of Gaza, with footnotes

After Nicolas Tournier

Tears of Gaza

AI Generated

nightcafe

In this oil painting reminiscent of Nicolas Tournier's style, the canvas depicts the harrowing scene of a Gazan mother's despair amidst the chaos and destruction of her city. The composition is filled with a sense of hopelessness and anguish.

Buildings reduced to ruins stand as silent witnesses to the devastating effects of conflict. The air is thick with smoke, hinting at the ongoing violence and destruction that surrounds the mother.

The central figure, a Gazan mother, kneels on the ground, her body weighed down by grief and despair. Her face is illuminated in a ray of light, highlighting her pain-stricken expression, conveying the depth of her sorrow. Torn clothes and dust-covered skin illustrate her struggle and the hardships she has endured.

From every direction, invading soldiers advance, their presence menacing and threatening. Their armor and weapons are portrayed with sharp detail, symbolizing the power imbalance and the vulnerability of the civilians caught in the crossfire.

In the background, the sky is filled with billowing clouds, hinting at the unrelenting nature of the conflict. The flame of a demolished building casts an eerie glow, casting long, haunting shadows across the scene.

The overall tone of the painting creates an emotional and evocative ambiance, capturing the devastating reality faced by the innocent during times of conflict. The painting serves as a poignant reminder of the countless lives affected by war and the urgent need for compassion and peace.

Nicolas Tournier (baptised 12 July 1590 – d. before February 1639) was a French Baroque painter.

Born in Montbéliard, he followed the profession of his father. Little is known of his life before his arrival in Rome, where he worked between 1619 and 1626, and where he was influenced by the work of Caravaggio. He painted both secular and religious subjects. After 1626 Tournier was active in southern France. He died in Toulouse.

His work The Carrying of the Cross, painted around 1632, originally hung in the Toulouse chapel of the Company of the Black Penitents. During the French Revolution it was confiscated by the state and moved to a museum, from where it was stolen in 1818. After being lost for nearly two centuries, it reappeared in 2009 during an art collector's estate sale in Florence; when the Weiss Gallery of London purchased it in a Paris auction in 2011, the French government classified it as stolen property and banned it from leaving the country. More on Nicolas Tournier

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01 Work, The Art of War, Georges Clairin's Le Carnage, with footnotes

Georges Clairin, French, 1843–1919

Le Carnage, 1890

Oil on canvas

110.2 x 150.2 cm (43 3/8 x 59 1/8 in.)

Princeton University Art Museum

Georges Clairin trained at the École des Beaux-Arts and became known for grand historical paintings, Symbolist themes, and portraits. Le Carnage may draw from extravaganzas he witnessed in Morocco that involved hundreds of Arab horsemen in mock equestrian battles. This painting was among several of his large compositions of anecdotal dreamscapes set in exotic surroundings that have been called the "Orient of the Romantics." Clairin’s memories of traveling in Italy, Spain, Algeria, and Egypt, as well as his experience in the Franco-Prussian war (1870–71), provided him with images for his paintings. More on this painting

Images are copyright of their respective owners, assignees or others. Some Images may be subject to copyright

I don't own any of these images - credit is always given when due unless it is unknown to me. if I post your images without your permission, please tell me.

I do not sell art, art prints, framed posters or reproductions. Ads are shown only to compensate the hosting expenses.

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01 Work, The Art of War, Henry Zaidan's Alma, The Warrior at peace, with footnotes

Henry Zaidan

Alma at peace

AI Generated

neural.love

The sun hangs low in the sky, casting a warm golden glow across the sandy shores. Waves gently lap against the land, creating a soothing sound that mingles with the distant calls of seagulls.

Sitting gracefully on the shoreline, a breathtaking Bedouin warrior woman captures the attention of all who gaze upon her. Her flowing hair cascades down her back, with piercing eyes reflecting a fierce determination, she exudes an air of confidence.

Clad in ornate Arab armor, every detail meticulously rendered, the woman sits with her legs submerged in the crystal-clear water. The armor boasts intricate engravings, reflecting the rich cultural heritage from which she hails. Its polished surfaces glimmer with hints of gold and silver, mirroring the radiance of the setting sun.

Beside her, lies her loyal companion, a majestic leopard. Its dappled fur glistens under the faint mist that arises from the sea. The leopard's powerful presence is juxtaposed by its gentle demeanor, tamed by the woman's unwavering bond with it.

As the woman gazes out onto the horizon, her expression conveys a sense of tranquility and inner strength. The rhythmic crashing of the waves against the shore seems to echo her warrior spirit, a testament to her resilience and adaptability in the face of adversity.

This hyper realistic portrayal captures the extraordinary beauty and power within this Bedouin warrior woman, and invites viewers to immerse themselves in her captivating presence on this serene beach.

Alma was by far the most distinguished of women because of her many superior qualities, especially because of the bravery she demonstrated in defense of her people.

Islam elevated the status of women, treating them on an equal footing with a man. Women had a newfound independent identity, in the physical and spiritual spheres.

Islamic history is full of warrior women who fiercely fought for what they believed in, defended what they cherished, and defied all expectations and became legends.

The Warrior Woman is an ancient archetype that is not well known because the stories have been both forgotten and suppressed. Mythology is full of warrior goddesses.

Traditionally, the Bedouin were among the most dangerous of desert tribes, fighting among themselves when outsiders weren’t available. Constantly on the move to find new pastures for their livestock, they learned to live with the minimum of possessions and little external support in the harshest of lands. Loyalty to tribe and family was all that helped a warrior survive. More on Desert Warriors

Images are copyright of their respective owners, assignees or others. Some Images may be subject to copyright

I don't own any of these images - credit is always given when due unless it is unknown to me. if I post your images without your permission, please tell me.

I do not sell art, art prints, framed posters or reproductions. Ads are shown only to compensate the hosting expenses.

If you enjoyed this post, please share with friends and family.

Thank you for visiting my blog and also for liking its posts and pages.

Please note that the content of this post primarily consists of articles available from Wikipedia or other free sources online.

08 Works, The Art of War, Leonardo da Vinci and Anselm Feuerbach imbedded with Alma and her Warrior, with footnotes

After Leonardo da Vinci

The warriors assemble

AI Generated

deviantart

In the midst of a rugged field, where grains of sand mingle with tufts of grass, Alma and her troop of Bedouin women stand tall. Clad in ornate, oriental armor, each woman exudes a sense of power and resilience. The armor shimmers with a blend of gold and bronze hues, reflecting the warm desert sunlight. Engraved with delicate motifs, it tells stories of ancient battles and victories.

After Leonardo da Vinci

More women join With Alma's Troop

AI Generated

deviantart

As the warriors approach the enemy more women join them to help protect their families and children!

After Anselm Feuerbach

The women draw their bows

AI Generated

deviantart

After Leonardo da Vinci

Alma Fires Her Arrows

AI Generated

deviantart

As the enemy approaches, the warrior women draw their bows with grace and precision. With arrows coated in determination, they unleash a volley towards their foes, their movements fluid and swift. The whistling sound of arrows fills the air, like whispers of defiance against impending chaos.

After Anselm Feuerbach

The arrows find their targets

AI Generated

nightcafe

After Anselm Feuerbach

Their arrows find their targets

AI Generated

deviantart

Amidst the chaos, their archery skills are unmatched. The arrows find their targets with deadly accuracy, piercing the hearts of their enemies. Their faces, smudged with streaks of war paint, bear a steely determination, yet their eyes gleam with an untamed fire that demonstrates their undying spirit.

After Leonardo da Vinci

Alma and her Troop Advance

AI Generated

nightcafe

After Leonardo da Vinci

Alma

AI Generated

nightcafe

The field around them becomes a canvas of dust and destruction, as the clash of battle unfolds. Their footsteps leave imprints behind, blending with the kick-up of dirt, creating a dance of primal energy. The earth beneath them trembles at their presence, witnessing both their breathtaking beauty and unwavering courage.

In the midst of the turmoil, a powerful sense of sisterhood resonates among them. Each woman stands by her comrades, weaving an unbreakable bond. They fought not only for themselves but for the protection of their tribe, their heritage, and their way of life.

Alma was by far the most distinguished of women because of her many superior qualities, especially because of the bravery she demonstrated in defense of her people.

Islam elevated the status of women, treating them on an equal footing with a man. Women had a newfound independent identity, in the physical and spiritual spheres.

Islamic history is full of warrior women who fiercely fought for what they believed in, defended what they cherished, and defied all expectations and became legends.

The Warrior Woman is an ancient archetype that is not well known because the stories have been both forgotten and suppressed. Mythology is full of warrior goddesses.

Traditionally, the Bedouin were among the most dangerous of desert tribes, fighting among themselves when outsiders weren’t available. Constantly on the move to find new pastures for their livestock, they learned to live with the minimum of possessions and little external support in the harshest of lands. Loyalty to tribe and family was all that helped a warrior survive. More on Desert Warriors

Images are copyright of their respective owners, assignees or others. Some Images may be subject to copyright

I don't own any of these images - credit is always given when due unless it is unknown to me. if I post your images without your permission, please tell me.

I do not sell art, art prints, framed posters or reproductions. Ads are shown only to compensate the hosting expenses.

If you enjoyed this post, please share with friends and family.

Thank you for visiting my blog and also for liking its posts and pages.

Please note that the content of this post primarily consists of articles available from Wikipedia or other free sources online.

07 Works, The Art of War, 17th-century Italian Old Masters' The Flagellation of Alma, with footnotes

After; 17th-century Italian Old Master

The Flagellation of Alma

AI Generated

nightcafe

In the dimly lit jail cell, the once proud Arab warrior woman now finds herself captured and confined. Her fair complexion and slim figure are a striking contrast against the harsh surroundings. Her fiery red hair cascades down her back like a vibrant waterfall, a stark reminder of her fierce spirit.

After; 17th-century Italian Old Master

The Flagellation of Alma

AI Generated

deviantart

Adorned in a torn halter top, the fabric shows signs of the battles she has fought. Each tear represents a struggle, a testament to her strength and resilience. The once vibrant colors are now faded, echoing the toll that her imprisonment has taken on her spirit.

After; 17th-century Italian Old Master

The Flagellation of Alma

AI Generated

deviantart

After; 17th-century Italian Old Master

The Flagellation of Alma

AI Generated

deviantart

After; 17th-century Italian Old Master

The Flagellation of Alma

AI Generated

openart

Her waist is wrapped in a torn fabric, barely clinging to its former elegance. The wrap, once a symbol of her heritage and pride, now mirrors the devastation she has faced in captivity. It hangs loosely, barely concealing the scars and bruises that mar her skin, reminders of the fierce battles she fought before her capture.

After; 17th-century Italian Old Master

Alma is Finally Released

AI Generated

deviantart

Yet, even in her battered state, her beauty remains unyielding. Her piercing gaze, filled with determination and unquenchable ardor, refuses to be subdued. Her high cheekbones accentuate her striking features, adding an air of regality to her otherwise desolate surroundings.

Having found no grounds to hold her any longer, Alma is finally released!

After; 17th-century Italian Old Master

Alma departs

AI Generated

nightcafe

Although trapped within the cold confines of her jail cell, her indomitable spirit remained unbroken. She stood tall, a beacon of strength amidst the darkness, as she awaited the opportunity to reclaim her freedom and continue her noble fight - a testament to the indomitable spirit of the Arab warrior woman.