1 Work by Julian A. Scott, A Friendly Game

Julian A. Scott (1846-1901)
A Friendly Game, c. 1894
signed and dated 'Julian Scott/1894' (lower right)
Oil on canvas
20 x 24 in. (50.8 x 60.9 cm.)
Private collection

The present painting likely depicts a friendly card game between a Confederate and Union soldier. Fraternizing with the enemy during downtime was not uncommon during the Civil War. More on this painting

Julian A. Scott (February 14, 1846 – July 4, 1901), was born in Johnson, Vermont, and served as a Union Army drummer during the American Civil War, where he received America's highest military decoration the Medal of Honor for his actions at the Battle of Lee's Mills. He was also an American painter and Civil War artist.

Scott received his early education at the Lamoille Academy, known today as Johnson State College where the main gallery is named in his memory. Scott continued his studies, graduating from the National Academy of Design in New York and subsequently studied under Emmanuel Leutze until 1868. During the Civil War, Scott enlisted in the 3rd Vermont Infantry on June 1, 1861, at the age of 15 as a fifer and, in February 1865, received the Medal of Honor for rescuing wounded soldiers while under enemy fire during the Battle at Lee's Mills, Virginia. More on Julian A. Scott




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01 painting, The amorous game, John Lewis Brown's The charms of the grisette and the soldiers of the regiment, With Footnotes, #86

John Lewis Brown (1829–1890)
The charms of the grisette and the soldiers of the regiment, c. 1876
Oil on panel
59 x 49 CM
Private collection

The word grisette has referred to a French working-class woman from the late 17th century and remained in common use through the Belle Époque era, albeit with some modifications to its meaning. It derives from gris (French for grey), and refers to the cheap grey fabric of the dresses these women originally wore. By the 1835 she was described as:

a young working woman who is coquettish and flirtatious.

In practice, "young working woman" referred primarily to those employed in the garment and millinery trades as seamstresses or shop assistants, the few occupations open to them in 19th century urban France, apart from domestic service. The sexual connotations which had long accompanied the word are made explicit in Webster's Third New International Dictionary (1976) which lists one of its meanings as a young woman who combines part-time prostitution with another occupation. More on a grisette

John Lewis Brown (1829–1890) was a French battle, animal, and genre painter. He was born in Bordeaux of a Scottish family of Stuart partisans. He studied in the École des Beaux-Arts with Camille Roqueplan and Jean-Hillaire Belloc.[1] He is known for his pictures of hunting and military scenes, and his studies of horses and dogs. He painted a number of admirable pictures from the American Revolutionary War, the Seven Years' War, and the Franco-Prussian War of 1870. His presentation is clever and humorous, his work characterized by refinement and charm. The Luxembourg possesses his "Before the Start," the Gallery of Dublin, "The Mountebank." He was also an excellent etcher and aquarellist. More on John Lewis Brown





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01 painting, The amorous game, Gurcharan Singh's Saturday Night, With Footnotes, #85

Gurcharan Singh
Saturday Night, c. 2021
Acrylic and oil on canvas
60 x 48 in (152.3 x 122 cm)
Private collection

Gurcharan Singh
is an Indian painter, known for his figurative paintings. He was born in 1949 at Patiala, in the Indian state of Punjab and studied at Government College of Arts and Crafts, Chandigarh. He has had several and group exhibitions in India and abroad and his works were exhibited at the International Biennale in Tokyo in 1984, at the Contemporary Art Show in Seoul in 1986 and the Festival of Contemporary Art in London in 1988. The Lalit Kala Akademi, New Delhi, National Gallery of Modern Art, New Delhi and India House, Paris have his on display at their premises. His signature paintings are based on the people from financially compromised classes; The Red Light in Black and White and Les Miserables are two of his notable works. More on Gurcharan Singh




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01 Painting, Streets of Paris, Norbert Goeneutte's At the theatre, with footnotes, Part #82

Norbert Goeneutte (FRENCH, 1854-1894)
At the theatre, c. 1879
Oil on panel
91⁄8 x 123⁄4 in. (23 x 32.4 cm.)
Private collection

Norbert Goeneutte (23 July 1854, Paris - 9 October 1894, Auvers-sur-Oise) was a French painter, engraver and illustrator; notably for the novel La Terre by Émile Zola. He entered the École des Beaux-arts and began studies with Isidore Pils and Henri Lehmann.

He frequented the Père Lathuille, a famous cabaret, where he met Manet and was introduced to the artistic circle at the Café de la Nouvelle Athènes. He soon began exhibiting at the Salon but, despite his friendship with many notable Impressionists, never participated in one of their group exhibitions. In 1879, he married Eva Gonzalès, one of Manet's models.

With the financial support of his brother, he frequently travelled abroad, including trips to London (1880) and Venice (1890). He also travelled extensively in France. These visits produced a multitude of landscapes and cityscapes. In 1889, he became one of the founders of the "Société des Peintres-graveurs Français", together with his friends Henri Guérard and Félix Bracquemond. That same year, he exhibited at the Exposition Universelle. Two years later, he found himself at odds with the Société when it refused admission to Camille Pissarro, who was not born in France.

In 1891, doctor Paul Gachet, an avid supporter of the arts and an amateur artist, diagnosed Goeneutte as having a weak heart and recommended that he settle in a rural area for his health. Gachet was able to find him a house near his own in Auvers-sur-Oise, called the "Villa Musette", where Goeneutte settled with his mother, his sister Reine and his brother Charles. Once there, he became involved with a group of artists associated with Charles-François Daubigny and did engraved illustrations together with Gachet. Three years later, he died of complications from what had turned out to be a lung disease. He is buried there, near the grave of Vincent van Gogh, who had also been treated by Gachet during his final illness. More onNorbert Goeneutte




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01 photograph, The amorous game, Sergii Mykhalkiv's Boudery Fun # 11, With Footnotes, #82

Sergii Mykhalkiv
Boudery Fun # 11
Photography, Color on Paper
Size: 27.2 W x 18.1 H x 0 D in
Private collection

Sergiy Mykhalkiv was born in 1975 in Lviv. He was teaching the art of photography in several photo schools. In 2017 he opened his own photo studio "RedLight”. Mykhalkiv was a two-time winner of the annual contest of the “Playboy” magazine, and winner of National Union of Photo Artists of Ukraine Contest "Photo Portrait" in 2009, and winner in "Cannon" online competition in 2012.

Since 1998 Sergiy Mykhalkiv takes photos of his muses – beautiful naked women, inspired by the relaxed charm and natural beauty of the female body, which so admired by artists of different eras. He says that the genre of his work is not erotic. Mykhalkiv likes the definition intimate portrait. By taking off clothing – a woman removes her heavy social status and becomes such as it was created by nature. And at this moment, using his own boudoir situation created in the studio, Mykhalkiv creates his photo compositions – the stories from the boudoir. More on Sergii Mykhalkiv




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01 Painting, MODERN & CONTEMPORARY MIDDLE EASTERN ART, Shakir Hassan Al-Said's UNTITLED (MAN AND HORSE), with Footnotes - #5F

Shakir Hassan Al-Said, 1925-2004, IRAQI
UNTITLED (MAN AND HORSE), c. 1950
Watercolour and pencil on paper 
24 by 20cm.; 9 1/2 by 7 7/8 in. 
Private collection

Shakir Hassan Al Said (1925–2004), an Iraqi painter, sculptor and writer, is considered one of Iraq's most innovative and influential artists.

Born in Samawa, Al Said lived, worked and died in Bagdad. In 1948 he received a degree in social science from the Higher Institute of Teachers in Baghdad and in 1954 a diploma in painting from the Institute of Fine Arts in Baghdad. He continued his studies at the École nationale supérieure des Beaux-Arts in Paris until 1959. During his stay in Paris, he discovered Western modern art in galleries and Sumerian art at the Louvre. He returned to Baghdad in 1959.

He co-founded in 1951 with Jawad Saleem Jama'et Baghdad lil Fann al-Hadith (Baghdad Modern Art Group), one of the most unusual arts movements in the Middle East in the post–World War II, itwas called Istilham al-turath (Seeking inspiration from tradition), considered as "the basic point of departure, to achieve through modern styles, a cultural vision". He headed the group after the death of Saleem in 1961.

In 1971, he founded Al Bu'd al Wahad (the One-dimension Group)", which promoted the modern calligraphic school in Arab art.

His work is collected by major museums, such as Mathaf: Arab Museum of Modern Art in Doha, the Guggenheim in New York, and Sharjah Art Museum. More on Shakir Hassan Al Said




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01 painting, The amorous game, K S Karnataka's Embrace, With Footnotes, #84

K S KULKARNI
Embrace, Circa 1960s
Oil on canvas board
29.25 x 21.25 in (74 x 54 cm)
Private collection

K S Kulkarni, (1918 - 1994) was born in Karnataka, Kulkarni studied at the Sir J.J. School of Art, Bombay. He had his first one-man show in 1945, organized by the All India Fine Arts and Crafts Society. In 1948 he founded the Triveni Kala Sangam where he served as Director of the Art Department until 1968. In 1955, he was awarded the first of his three national awards and in 1958 he traveled through Mexico, Guatemala, Peru and Brazil and came into contact with the Mayan and Inca civilizations which were to become an important influence in his work. In 1962, Kulkarni was elected to the General Council of the Lalit Kala Academy. The artist passed away in 1994. More on K S Kulkarni




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01 photograph, The amorous game, Helmut Newton's Rich Girl, With Footnotes, #81

Helmut Newton, Australian/German, 1920–2004
Rich Girl, From Private Property Suite II, c. 1982
Gelatin silver print
10.8 x 10.8 in. (27.43 x 27.43 cm.)
Private collection

Frequently depicting nude subjects in high heels, Newton instead hones in on the shoes themselves in the present work from Private Property Suite II. Beginning an exploration of what high heels represent in society, he investigates the way class presents itself through footwear. Newton later went on to photograph x-rays of feet in high heels and even donning a pair in his famed self-portrait. More on this photograph

Helmut Newton was born on October 31, 1920, in Berlin, Germany. He attended the American School in Berlin. From an early age, Newton developed a keen obsession with photography, purchasing his very first camera aged 12. Four years later, Newton was to turn his back on mainstream education, taking an apprenticeship with renowned German photographer, Elsle Simon, known as Yva. Her surreal, multiple exposure photographs that took in fashion, theater and the nude were to inspire Newton throughout his career.

On November 9, 1938, Newton, secured passage to China, where he stopped in Singapore until 1940 before leaving to Australia and finding work as a truck driver in the Australian Army.

In 1948, he married actress June Browne, herself a photographer under the name of Alice Springs, a name she chose from a map of Australia. High-profile contracts with Australian Vogue in the 1950’s; British Vogue in 1957-1958; French Vogue in 1961 provided Newton with the exposure that would allow him to stamp his style on fashion photography over the next 40 years.

Known as the ‘King of Kink’, Newton’s erotically charged imagery was provocative as it was masterful in its compositional and narrative direction. Creating highly charged images layered with voyeuristic, sado-masochist undertexts, Newton was drawn to empowered woman presenting a potent image of female sexuality in the 60’s and 70’s.

Newton died, aged 83, in 2004 following a major car accident in Los Angeles. More on Helmut Newton




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01 Painting, MODERN & CONTEMPORARY MIDDLE EASTERN ART, Shakir Hassan Al-Said's UNTITLED (TOWN), with Footnotes - #5E

Shakir Hassan Al-Said, 1925-2004, IRAQI
UNTITLED (TOWN), c. 1951
Watercolour and pencil on paper 
i) 24 by 20cm.; 9 1/2 by 7 7/8 in. ii) 29 by 21.5cm.; 11 1/2 by 8 1/4 in
Private collection

Shakir Hassan Al Said (1925–2004), an Iraqi painter, sculptor and writer, is considered one of Iraq's most innovative and influential artists.

Born in Samawa, Al Said lived, worked and died in Bagdad. In 1948 he received a degree in social science from the Higher Institute of Teachers in Baghdad and in 1954 a diploma in painting from the Institute of Fine Arts in Baghdad. He continued his studies at the École nationale supérieure des Beaux-Arts in Paris until 1959. During his stay in Paris, he discovered Western modern art in galleries and Sumerian art at the Louvre. He returned to Baghdad in 1959.

He co-founded in 1951 with Jawad Saleem Jama'et Baghdad lil Fann al-Hadith (Baghdad Modern Art Group), one of the most unusual arts movements in the Middle East in the post–World War II, itwas called Istilham al-turath (Seeking inspiration from tradition), considered as "the basic point of departure, to achieve through modern styles, a cultural vision". He headed the group after the death of Saleem in 1961.

In 1971, he founded Al Bu'd al Wahad (the One-dimension Group)", which promoted the modern calligraphic school in Arab art.

His work is collected by major museums, such as Mathaf: Arab Museum of Modern Art in Doha, the Guggenheim in New York, and Sharjah Art Museum. More on Shakir Hassan Al Said





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01 Work, Streets of Paris, Ellen von Unwerth's Bye Bye Paris, Part #82

Ellen von Unwerth
Bye Bye Paris, Paris, c. 2006
C-Print
40 × 30 in, 101.6 × 76.2 cm
Private collection

Ellen von Unwerth (born 17 January 1954) is a German photographer and director, specializing in erotic femininity.

She worked as a fashion model for ten years before becoming a photographer, and now makes fashion, editorial, and advertising photographs.

In a 2018 interview with Harper's Bazaar, she explained her feminist approach to photography: "The women in my pictures are always strong, even if they are also sexy. My women always look self-assured. I try to make them look as beautiful as they can because every woman wants to  feel beautiful, sexy and powerful. That's what I try to do." More on Ellen von Unwerth





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01 Painting, MIDDLE EASTERN ART, Safwan Dahoul's UNTITLED, with Footnotes - #5B

Safwan Dahoul, B. 1961, SYRIAN
UNTITLED, c. 1992
Oil and gold leaf on wood 
25 by 20cm.; 9 7/8 by 7 7/8 in
Private collection

Safwan Dahoul was born in 1961 in Hama, Syria, Dahoul was initially trained by leading modernists at the Faculty of Fine Arts, University of Damascus before travelling to Belgium, where he earned a doctorate from the Higher Institute of Plastic Arts in Mons. Upon returning to Syria, he began teaching at the Faculty of Fine Arts and was a prominent member of the Damascus art scene. In the span of a decade, Dahoul nurtured a new generation of artists as an active mentor whose evolving aesthetic often ignited new directions in painting. Given the trajectory and status of his painting style, Dahoul’s career is regarded as a crucial link between modern and contemporary Arab art. More on Safwan Dahoul




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01 Painting, Streets of Paris, CHARLES MALLE's La loterie du manège à Montmartre, with footnotes, Part 88

CHARLES MALLE (b. 1931)
La loterie du manège à Montmartre, c. 2021
Oil on canvas
28 3⁄4 x 36 1⁄4 in. (73 x 92 cm.)
Private collection

Charles Gleize, known as Charles Malle, was born on August 9 1935 in Douai in Northern France and brought up in a family of craftsmen. His Post-Impressionist paintings are very popular and collectible in both France and the United States. He is associated with the School of Montmartre, a loosely knit group of painters that goes back to the time when Montmartre was little more than a bohemian village. He follows in the footsteps of Degas, Monet, Manet, Alphonse Quizet, Elise Maclet and Maurice Utrillo.

Charles Malle’s paintings represent a world that is no longer. He renders his dreams on canvas. Although some details are recognizable, he is painting his cherished childhood. In his easel paintings, the artist is remembering his short, but blissful childhood.

Malle studied art at St. Luke’s school in Tournai, Belgium for 2 years than at the ENSAIT (Higher National School for Art and Textile Industry) in Roubaix, France for 5 years. He also trained in drawing and painting and studied art history. More on Charles Malle




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02 Works - Louis-François Cassas' visit to Lebanon, with footnotes

Louis-François Cassas (Azay-le-Ferron 1756-1827 Versailles)
The remains of the Temple of Jupiter and the Great Court at Baalbek, Lebanon
Pen, ink and watercolour on laid paper
61.6 x 93.3cm (24 1/4 x 36 3/4in)
Private collection

The Temple of Jupiter is a colossal Roman temple, the largest of the Roman world, situated at the Baalbek complex in Heliopolis Syriaca (modern Lebanon). The temple served as an oracle and was dedicated to Jupiter Heliopolitanus.

It is not known who commissioned or designed the temple, nor exactly when it was constructed. Work probably began around 16 BC and was nearly complete by about AD 60. It is situated at the western end of the Great Court of Roman Heliopolis, on a broad platform of stone raised another 7 m (23 ft) above the huge stones of the foundation, three of which are among the heaviest blocks ever used in a construction. Cultic activity had long taken place at the site; the temple presumably replaced an earlier one, possibly using the same foundation.

It was the biggest temple dedicated to Jupiter in all the Roman Empire. The columns were 19.9 meters high with a diameter of nearly 2.5 meters: the biggest in the classical world. It took three centuries to create this colossal temple complex. More on the Temple of Jupiter

Louis-François Cassas (Azay-le-Ferron 1756-1827 Versailles)
The Cedar Forests, Lebanon, c. 1805
Pen, ink and watercolour on laid paper
62.2 x 93.8cm (24 1/2 x 36 15/16in)
Private collection

The Cedars of God located in the Kadisha Valley of Bsharre, Lebanon, are one of the last vestiges of the extensive forests of the Lebanon cedar that anciently thrived across Mount Lebanon. All early modern travelers' accounts of the wild cedars appear to refer to the ones in Bsharri; the Christian monks of the monasteries in the Kadisha Valley venerated the trees for centuries. The earliest documented references of the Cedars of God are found in Tablets 4-6 of the great Epic of Gilgamesh, six days walk from Uruk. The Psalms of King David eg. "104:16" provide support to claims of the biblical creation story's proximity to the Cedars forest, firstly the planting of Cedars with Gods hands and secondly the name of an adjacent village in the Kadisha Valley known as Edhen (Eden).

The Phoenicians, Israelites, Egyptians, Assyrians, Babylonians, Persians, Romans, Arabs, and Turks used Lebanese timber. The Egyptians valued their timber for shipbuilding, and in the Ottoman Empire their timber was used to construct railways. 

The mountains of Lebanon were once shaded by thick cedar forests and the tree is the symbol of the country. After centuries of persistent deforestation, the extent of these forests has been markedly reduced. More on the Cedar Forests, Lebanon

Louis-François Cassas (June 3, 1756 – November 1, 1827) was a distinguished French landscape painter, sculptor, architect, archeologist and antiquary born at Azay-le-Ferron, in the Indre Department of France. 

In 1778 Cassas went to Rome, Venice, Naples and Sicily where he spent the first years of his youth in the study of ancient monuments. A commission in 1782 took him from Istria to southern Dalmatia, to make a series of illustrations of the antiquities on the east Adriatic coast. 

In 1784 he accompanied the Count Choiseul-Gouffier, the French Ambassador to the Ottoman Empire, on his mission to Constantinople. Commissioned by him, he travelled from 1784 to 1787 engaged in making drawings for the Ambassador's second volume of Voyage pittoresque de la Grèce, published in 1809. He visited Egypt from October to December 1785, and drew the antiquities of Alexandria, the pyramids of Giza and the mosques of Cairo. Shortly afterwards he made several drawings of Palmyra, in the desert of Syria, visited the Holy Land and illustrated the ruins of Baalbec in Lebanon. He also painted Palestine, Cyprus and Asia Minor, drawing ancient Middle Eastern sites, many of which had never been recorded.

At the beginning of the French Revolution, the artist returned to France via Rome, arriving in Paris in 1792. The originals of his works in oil paintings for both voyages were deposited in the Bibliothèque Royale. 

At the turn of the eighteenth to nineteenth century, the artist had already combined his first observations of Egyptian monuments in a series of paintings which were very influential on many artists and stage designers in the early decades of the nineteenth century. He was appointed as drawing professor and later as General Inspector at the Gobelin Tapestry Manufactory, for contributing to the development of products from this factory.

He died in Versailles of a stroke of apoplexy, on November 1, 1827, invested with several orders of knighthood, including the Légion d'honneur, granted to him by the king on May 21, 1821. After his death Cassas was largely forgotten and his work was greatly neglected. In 1973, the government of Yugoslavia paid homage to Cassas issuing a postage stamp of the city of Split from one of his 1782 etchings called Vue de Spalatro et du Lazareth. More on Louis-François Cassas




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01 Painting, MODERN & CONTEMPORARY MIDDLE EASTERN ART, Adham Wanly's HUNGARIAN HORSE AT THE CIRCUS, with Footnotes - #5D

Adham Wanly, 1908-1959, EGYPTIAN
CHEVEAUX HONGROIS AU CIRQUE (HUNGARIAN HORSE AT THE CIRCUS), c. 1953
Oil on panel
53 by 74cm.; 20 7/8 by 29 1/8 in.
Private collection

I couldn't find the horse either!

Adham Wanly (1908 in Alexandria, Egypt – 1959) was a painter who learnt in the atelier of the Italian Otorino Becchi 1932, then set up his own atelier with his brother Seif Wanly (above), and participated in many local and international exhibition specially Venice, São Paulo (Brasil), Alexandria Biennale.

The Museum of Modern Art in Alexandria displays many of his paintings. The artist is mostly famous for recording the life of the theater and circus. He specialized in the ballet and opera that is featured in the Cairo Opera House and the Theatre Mohamed Ali in Alexandria. The paintings render the stage lights and movements of the people involved and he is able to express the light and agility in various ways. He had a talent in caricature in which he used in mockery of himself and the people of his time. There is now a museum in his memory. More on Adham Wanly




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