Couverture de L'Estampe originale (Album de clôture), 1895
Crayon, brush and spatter lithograph
23 x 32-7/8 inches (58.4 x 83.5 cm)
Trial proof aside from ed. 100
Printed by Edward Ancourt, Paris
Published by L'Estampe originale (André Marty), Paris, as the cover for the ninth and last album in March 1895
Place Clichy , 1922
Lithograph in colors
18-1/2 x 25 inches (47.0 x 63.5 cm) (sight)
From the edition of 100
Signed center left: Bonnard
Signed, dated, and inscribed along lower margin: 22/ Bonnard Paris S...
Published by Bernheim-Jeune, Paris
Bonnard has been described as "the most thoroughly idiosyncratic of all the great twentieth- century painters", and the unusual vantage points of his compositions rely less on traditional modes of pictorial structure than voluptuous color, poetic allusions and visual wit. Identified as a late practitioner of Impressionism in the early 20th century, Bonnard has since been recognized for his unique use of color and his complex imagery. More on Pierre Bonnard
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