Thursday, May 7, 2015

Frederick Arthur Bridgman - ARAB WOMEN ON A ROOFTOP, ALGIERS BEYOND

Frederick Arthur Bridgman, 1847 - 1928, AMERICAN
ARAB WOMEN ON A ROOFTOP, ALGIERS BEYOND
Oil on canvas
17 7/8 by 30 3/4 inches, 45.4 by 78.1 cm
Private collection


Algiers is the capital and largest city of Algeria. Algiers is located on the Mediterranean Sea and in the north-central portion of Algeria.

Sometimes nicknamed El-Behdja or alternatively Alger la Blanche ("Algiers the White") for the glistening white of its buildings as seen rising up from the sea, Algiers is situated on the west side of a bay of the Mediterranean Sea. The modern part of the city is built on the level ground by the seashore; the old part, the ancient city of the deys, climbs the steep hill behind the modern town and is crowned by the casbah or citadel, 122 metres (400 ft) above the sea. The casbah and the two quays form a triangle, More on Algiers 

Frederick Arthur Bridgman (November 10, 1847 - 1928) was an American artist, born in Tuskegee, Alabama. The son of a physician, Bridgman would become one of the United States' most well-known and well-regarded painters and become known as one of the world's most talented "Orientalist" painters. He began as a draughtsman in New York City, for the American Bank Note Company in 1864-1865, and studied art in the same years at the Brooklyn Art Association and at the National Academy of Design; but he went to Paris in 1866 and became a pupil of Jean-Leon Gerome. Paris then became his headquarters. A trip to Egypt in 1873-1874 resulted in pictures of the East that attracted immediate attention, and his large and important composition, The Funeral Procession of a Mummy on the Nile, in the Paris Salon (1877), bought by James Gordon Bennett, brought him the Cross of the Legion of Honor. Other paintings by him were An American Circus in Normandy, Procession of the Bull Apis (now in the Corcoran Gallery of Art, Washington, D.C.), and a Rumanian Lady (in the Temple collection, Philadelphia, Pennsylvania). More on Frederick Arthur Bridgman


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