Art Blog: November 2019

01 Painting, Streets of Pari, Part 65 - With Footnotes

Victor-Gabriel Gilbert, PARIS 1847 - 1933 PARIS

THE FLOWER VENDOR ON THE PONT DES ARTS, PARIS

Oil on panel

40,5 x 32 cm ; 16 by 12 5/8 in

Private collection

The Pont des Arts or Passerelle des Arts is a pedestrian bridge in Paris which crosses the River Seine. It links the Institut de France and the central square (cour carrée) of the Palais du Louvre, (which had been termed the "Palais des Arts" under the First French Empire); between 1802 and 1804, under the reign of Napoleon I

In 1976, the Inspector of Bridges and Causeways reported several deficiencies on the bridge. More specifically, he noted the damage that had been caused by two aerial bombardments sustained during World War I and World War II and the harm done from the multiple collisions caused by boats. The bridge would be closed to circulation in 1977 and, in 1979, suffered a 60-metre collapse after a barge rammed into it.

The present bridge was built between 1981 and 1984 "identically" according to the plans of Louis Arretche.

The bridge has sometimes served as a place for art exhibitions, and is today a studio en plein air for painters, artists and photographers. The Pont des Arts is also frequently a spot for picnics during the summer. More on The Pont des Arts

Victor Gabriel Gilbert born in Paris the 13 February 1847 and died in the 21 July 1933. He was a French painter. He is buried in Montmartre cemetery in Paris. In 1860 he apprenticed to a painter and decorator. He followed with evening art classes under the direction of Father Levasseur, the School of the City of Paris. In the late 1870s, his taste for naturalism is developed and he turned to genre painting with scenes of streets, cafes, markets, especially that of Halles . He obtained a second class medal at the Salon of 1880 and a silver medal at the 1889 World Fair . It becomes a member of the French Society of Artists in 1914.

Victor Gilbert was appointed Knight of the Legion of Honour in 1897, and received the Prix Léon Bonnat in 1926. More on Victor Gabriel Gilbert

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02 works, MIDDLE EASTERN ART, With Footnotes - 40

Mounir Fatmi, Moroccan

Across the moon

B&W video, HD, stereo, 11’33’’

Private collection

Mounir Fatmi, Moroccan, b. 1970, examines human vulnerability. He constructs visual environments (comprising such objects as saw blades, stereo speakers, construction hard hats, and flags) and plays with language in a way that questions preconceptions of politics and religion and unearths injustices buried by history. In his 2009 work The Machinery, 30 aggressive-looking industrial saw blades are inscribed with elaborately drawn Islamic poems relaying a peaceful message. Using current events as content for projects, Fatmi investigates the origins of contemporary issues and crises. More on Mounir Fatmi

Mounir Fatmi, Moroccan

Evolution or Death, 2013

C-print

53 7/10 × 80 7/10 in, 136.5 × 205 cm

Private collection

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01 work, MIDDLE EASTERN ART, With Footnotes - 41

Khaled Hourani

Crowd #1, 2019

Acrylic on canvas

45 3/10 × 40 1/5 in, 115 × 102 cm

Private collection

Khaled Hourani, Born in Hebron, Palestine, in 1965. Khaled Hourani lives and works in Ramallah. He was Artistic Director (2007-2010) and Director (2010-2013) of the International Academy of Art Palestine, of which he is also one of the co-founders. He previously worked as the General Director of the Fine Arts Department of the Palestinian Ministry of Culture (2004-2006). Hourani has participated in many local and international exhibitions, most recently in a retrospective at Darat Al Funun in Amman , Jordan (2017).

In 2014, his first retrospective exhibition took place at the CCA in Glasgow and Gallery One in Ramallah. He exhibited works at the Times Museum in Guangzhou, China and in the 2nd CAFA Biennale of the CAFA Museum in Beijing. He also participated in dOCUMENTA (13) in Kassel, and KW Institute for Contemporary Art, Berlin. Moreover, Hourani was also one of the artists of the Sharjah Biennial in 2011. Hourani was the initiator of the 2011 Picasso in Palestine project. He has curated and organized several exhibitions, is an art critic and an active member and founder of a number of cultural and art institutions. Recently, he was the recipient of the Leonore Annenberg Prize, Creative Time for Art and Social Change in New York City.

Hourani has been working for over a year on a book project, which is itself based on a novel about a painting titled Jamal Al Mahamel by Palestinian artist Suleiman Mansour. This artwork was sold to the former Libyan president Muammar al Gaddafi in the 1970s. Through this project, Hourani seeks to figure out what happened to the painting and the circumstances of its disappearance after the 2011 political upheavals in Libya. He also raises the question of the perception of art both in Palestine and Libya. More on Khaled Hourani

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02 Paintings, Streets of Paris, Pal Fried's Can Can Dancers, Part 63 - With Footnotes

Fried Pal, (1893 - 1976)

Untitled, (Can Can Dancers)

Oil on canvas

30 1/4 x 24 1/4 inches

Private collection

The can-can is a high-energy, physically demanding dance that became a popular music hall dance in the 1840s, continuing in popularity in French cabaret to this day. Originally danced by both sexes, it is now traditionally associated with a chorus line of female dancers. The main features of the dance are the vigorous manipulation of skirts and petticoats, along with high kicks, splits, and cartwheels. More on the can-can

Pal Fried (American/Hungarian, 1893-1976)

Can-Can

Oil on canvas

30 1/2 x 24 1/4 inches.

Private collection

Pál Fried (16 June 1893 in Hungary – 6 March 1976 in New York City) was a Hungarian artist best known for his eroticized paintings of female dancers and nudes.

Fried was born in Budapest in 1893. He received his art education at the Académie hongroise des arts (Hungarian Academy of Arts) where he was a pupil of Hugo Pohl who became one of his major influences. While under Pohl's direction, he executed many portraits of female nudes and Orientalist works. Later he studied in Paris at the Académie Julian, where he was the pupil of Claude Monet and Lucien Simone. In Paris, he was greatly influenced by the French Impressionists, especially Pierre-Auguste Renoir and Edgar Degas. This inspired him to prepare many paintings of ballerinas, dancers and circus performers.

Fried emigrated to the United States in 1946 after World War II, where he taught at the New York Academy of Art. He prepared portraits of American celebrities such as Marilyn Monroe. Through his work in portraiture, he gained considerable financial success.

He worked in oils and pastels and experimented with light and movement. His oil paintings were usually of dancers, nudes, and portraits, and while his subjects were primarily female, he also painted Paris, seascapes, cowboys and landscapes of the American West as well as Orientalist subject matter. He signed his paintings, as is usual in Hungarian, with his surname first as "Fried Pál". At times, this particular artist would make several, almost identical versions of the same oil painting, except he would use slightly different facial expressions and/or would try different colour schemes. More on Pál Fried

Please visit my other blogs: Art Collector, Mythology, Marine Art, Portrait of a Lady, The Orientalist, Art of the Nude and The Canals of Venice, Middle East Artists, 365 Saints and 365 Days, also visit my Boards on Pinterest

Images are copyright of their respective owners, assignees or others. Some Images may be subject to copyright

I don't own any of these images - credit is always given when due unless it is unknown to me. if I post your images without your permission, please tell me.

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01 Painting, MIDDLE EASTERN ART, With Footnotes - 39

Effat Nagui, 1912-1994, EGYPTIAN

UNTITLED (GIRL WITH HER GOAT), c. 1950's

Oil on celotex

55 by 40cm.; 21 1/2 by 15 3/4 in.

Private collection

Effat Nagy (5 April 1905 – 4 October 1994) was an Egyptian artist who has a museum in Cairo devoted to her and her husband's works. The museum is called Museum of Saad El-Khadem and Effat Nagy

Effat Mousa Nagy was born in the Mediterranean port of Alexandria in 1905. She was fascinated by culture, she was trained in music and mathematics. She was taught art by a private tutor and her artistic brother Mohamed Nagy. Her formal training was at the Arts Academy in Rome in 1947. She worked in Egypt under André Lhote and they used Egyptian archaeology as subject matter.

She married Saad Al-Khadem in 1945. He was also an artist and a researcher. Her husband's research inspired her art.

In 1964 she exhibited her work at the High Dam Exhibition. This was a result of work that she had been commissioned to do the previous year. She was asked to record the archaeology that would be lost as it was submerged under the waters of the Aswan Dam as it was constructed. She was one of 64 artists chosen to do this work.

In 1968 the Mohamed Nagy Museum was founded and Nagy made a donation of forty of her brother's paintings to help create a collection of her brother's work.

Nagy died in 1994 although another source says 1997. More on Effat Nagy

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01 Photograph, The amorous game, Part 54 - With Footnotes

David Drebin

Kissing Legs, 2018

Digital C-Print

30 × 45 in, 76.2 × 114.3 cm

Private collection

Love stories and landscapes are at the foundation of David Drebin's panoramas, portraits, and neon sculptures. His monograph Love and Other Stories (2007) features solitary women in urban tableaux—high-rise apartments buildings and terraces, freeway overpasses and hotel rooms. Dressed alternately in bikinis, evening gowns, and negligees, the women appear to be in various stages of a love affair. They pout while lying on couches and ascend grand staircases; their legs emerge from doorways and car doors, their concealed upper bodies assumedly engaged in passionate embraces. Drebin's cityscapes present sweeping views of famous locales such as Jerusalem, Paris, and New York and incorporate both built and natural features. In San Francisco Dusk (2010), an illuminated grid of buildings reaches toward the misty blue horizon of the Pacific Ocean. More on David Drebin

David Drebin is an American artist who works in photographs, lightboxes, neon light Installations, sculptures and etchings on glass.

After graduating from Parsons School of Design in New York City in 1996, Drebin started creating images of movie stars, sports personalities and entertainers. He later received commissions for advertising campaigns worldwide.

In 2005, Drebin had his first solo exhibition at Camera Work in Berlin. In 20017, he published his first comprehensive illustrated book entitled Love and Other Stories.

Drebin's photographs frequently incude femme fatales in cities such as Hong Kong, New York, and Paris. More on David Drebin

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I don't own any of these images - credit is always given when due unless it is unknown to me. if I post your images without your permission, please tell me.

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01 Painting, Streets of Paris, by the artists of their time, Part 61 - With Footnotes

Elizabeth Elkin, Canada

Cafe in Montmartre

Oil on Canvas.

24 W x 20 H x 0.8 in

Private collection

With its cobbled streets, stunning Basilica, artists, bistros ... Montmartre is full of charm! Perched on the top of a small hill in the 18th arrondissement, the most famous Parisian district has lost none of its village atmosphere that appealed so much to the artists of the 19th and 20th centuries. A real melting pot of art and inspiration for the cinema, Montmartre still gives as much pleasure to those who stroll around it and figures high on the list for a stay in Paris. More on Montmartre

Elizabeth Elkin is a renowned professional artist with an international reputation and over thirty years of experience. The true innovation of her work lies in the power of her vibrant colors, her museum quality works of expressionist art. Elizabeth has exhibited her work both locally and internationally for many years. Her works have also been featured in several publications. In 2014 her work was published in the West of the City magazine and in 2002. Elizabeth has had a life-long dedication to visual arts. She is an elected member of the Society of Canadian Artists, Colour and Form Society and Ontario Society of Artists. Elizabeth’s paintings can be found in the collections of MBA Ottawa University, Government of Ontario Art Collection and 300+ private collections around the world. More on Elizabeth Elkin, You can also follow Elizabeth Elkin on Linkedin

Images are copyright of their respective owners, assignees or others. Some Images may be subject to copyright

I don't own any of these images - credit is always given when due unless it is unknown to me. if I post your images without your permission, please tell me.

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01 Painting, MIDDLE EASTERN ART, With Footnotes - 38

Hassan Hajjaj, B. 1961, MOROCCAN

WINK, c. 2007

Metallic Lambda inset with kohl boxes mounted on board in artist's frame

94 by 66cm.; 37 by 26in.

Private collection

Hassan Hajjaj (b. Larache, Morocco in 1961) is a contemporary artist who lives and works between London, UK and Marrakech, Morocco, and is known as the “Andy Warhol of Marrakech.”

Hajjaj's work is in the collections of the Brooklyn Museum, New York; the British Museum, London; the Nasher Museum of Art, Duke University, Durham, NC; the Newark Museum, New Jersey; Los Angeles Museum of Contemporary Art, Los Angeles; the Victoria & Albert Museum, London; the Farjam Collection, Dubai; Institut des Cultures d’Islam, Paris; Kamel Lazaar Foundation, Tunisia; and Virginia Museum of Fine Art, Richmond, VA.

Hajjaj was the winner of the 2011 Sovereign Middle East and African Art Prize and was shortlisted for Victoria and Albert Museum's Jameel Prize in 2009. In 2013, Rose Issa Projects published a monograph of the artist exploring his upbringing in Morocco and London, his experiences in fashion and interior design, and his adventures in the music industry influence the vibrant colours, joyful spirit, and visual rhythm of his highly sought-after images.

Hajjaj's first feature-length film, Karima: A Day in the Life of a Henna Girl, premiered at the Los Angeles County Museum of Art in May 2015. The film takes viewers into the world of one Hajjaj’s most iconic series, Kesh Angels, depicting the henna girls of Marrakesh. The film will be subsequently shown at Art Basel in Basel, Switzerland in June 2015, curated by Cairo-based film curator and lecturer Maxa Zoller. More on Hassan Hajjaj

Images are copyright of their respective owners, assignees or others. Some Images may be subject to copyright

I don't own any of these images - credit is always given when due unless it is unknown to me. if I post your images without your permission, please tell me.

I do not sell art, art prints, framed posters or reproductions. Ads are shown only to compensate the hosting expenses.

If you enjoyed this post, please share with friends and family.

Thank you for visiting my blog and also for liking its posts and pages.

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