Wednesday, January 31, 2018

01 Paintings, PORTRAIT OF KING HENRY IV, Late 17th Century, with footnotes

French School, Late 17th Century
PORTRAIT OF KING HENRY IV, FULL LENGTH, ON A REARING HORSE
Oil on canvas
56 7/8  by 42 1/2  in.; 144.5 by 108 cm.
Private collection

Henry IV (13 December 1553 – 14 May 1610), also known by the epithet "Good King Henry", was King of Navarre (as Henry III) from 1572 to 1610 and King of France from 1589 to 1610. He was the first monarch of France from the House of Bourbon. He was assassinated in 1610 by François Ravaillac, a fanatical Catholic, and was succeeded by his son Louis XIII.

Baptised as a Catholic but raised in the Protestant faith by his mother, Henry inherited the throne of Navarre in 1572 on the death of his mother. As a Huguenot, Henry was involved in the French Wars of Religion, barely escaping assassination in the St. Bartholomew's Day massacre. He later led Protestant forces against the royal army.

He initially kept the Protestant faith and had to fight against the Catholic League, which denied that he could wear France's crown as a Protestant. To obtain mastery over his kingdom, after four years of stalemate, he found it prudent to abjure the Calvinist faith. As a pragmatic politician, he displayed an unusual religious tolerance for the era. Notably, he promulgated the Edict of Nantes (1598), which guaranteed religious liberties to Protestants, thereby effectively ending the Wars of Religion. More on Henry IV

17th-century French art is generally referred to as Baroque, but from the mid to late 17th century, the style of French art shows a classical adherence to certain rules of proportion and sobriety uncharacteristic of the Baroque as it was practiced in Southern and Eastern Europe during the same period.

In the early part of the 17th century, late mannerist and early Baroque tendencies continued to flourish in the court of Marie de' Medici and Louis XIII. Art from this period shows influences from both the north of Europe and from Roman painters of the Counter-Reformation. Artists in France frequently debated the merits between Peter Paul Rubens and Nicolas Poussin.


There was also a strong Caravaggio school represented in the period by the candle-lit paintings of Georges de La Tour. The wretched and the poor were featured in an almost Dutch manner in the paintings by the three Le Nain brothers. In the paintings of Philippe de Champaigne there are both propagandistic portraits of Louis XIII' s minister Cardinal Richelieu and other more contemplative portraits of people in the Jansenist sect. More 17th-century French art 















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Friday, January 26, 2018

05 Painting, Streets of Paris, by the artists of the time, Part 17 - With Footnotes

Gabriel Spat, Russia (1890-1967)
Sortie de L'glise/ Exit from the church
Oil on board
15.5" X 6.5"
Private collection

Gabriel Spat, 1890-1967 was born in Kishinev, Russia, now Chisinau, Moldova. He was active in France from 1919 to 1942 and in the USA from 1942. Spat studied at the Académie des Beaux-Arts in Geneva, as well as in Paris, at the Académie Colarossi and the Académie de la Grande Chaumière.

After World War I, he lived in Paris, attending the studios of La Ruche, Soutine and Modigliani. He fled to the USA in 1942. In Paris between the wars, he was known as a painter and sculptor. He executed the portraits of celebrated figures, particularly actors. He also executed anti-German satirical drawings depicting Nazi society. These were destroyed during World War II.

Spat was painting by the age of eighteen, but as an art student in Paris he was so impoverished that he was forced to paint on scraps of canvas given to him by other artists. As a result, he learned to paint in miniature, and he continued to work on a small scale throughout his career.

Gabriel Spat, Russia, (1890-1967)
Au Bar a Paris/ At the Bar in Paris, c. 1924
Oil on board
8.25" X 6
Private collection

Spat's intimate views of Paris undoubtedly were aimed at the tourist market. They present the city in its most famous and agreeable aspects in such themes as strollers along the banks of the Seine River and blossoming chestnut trees along streets and in parks.

Spat fled to the south of France in 1940, during the German army occupation of Paris, but returned two years later. In 1943 he was able to escape occupied France, and in 1945 he arrived in the United States, where he took up residence in New York City and married. 

The artist continued to paint Parisian scenes after he left France, using the loose brushwork and bright colors critics described as "impressionist." Spat's paintings occasionally come to light in the American market; thus further information about this shadowy artistic figure eventually may surface. More on Gabriel Spat

Kes Wang Dongen, 1817 - 1968
The Pont Des Arts, 
Oil, Canvas
1903, 46×55 cm
Private collection

The Pont des Arts or Passerelle des Arts is a pedestrian bridge in Paris which crosses the River Seine. It links the Institut de France and the central square (cour carrée) of the Palais du Louvre, (which had been termed the "Palais des Arts" under the First French Empire); between 1802 and 1804, under the reign of Napoleon I

In 1976, the Inspector of Bridges and Causeways reported several deficiencies on the bridge. More specifically, he noted the damage that had been caused by two aerial bombardments sustained during World War I and World War II and the harm done from the multiple collisions caused by boats. The bridge would be closed to circulation in 1977 and, in 1979, suffered a 60-metre collapse after a barge rammed into it.

The present bridge was built between 1981 and 1984 "identically" according to the plans of Louis Arretche.



The bridge has sometimes served as a place for art exhibitions, and is today a studio en plein air for painters, artists and photographers. The Pont des Arts is also frequently a spot for picnics during the summer. More on The Pont des Arts

Cornelis Theodorus Maria 'Kees' van Dongen (26 January 1877 – 28 May 1968) was a Dutch-French painter who was one of the leading Fauves. Van Dongen's early work was influenced by the Hague School and symbolism and it evolved gradually into a rough pointillist style. From 1905 onwards - when he took part at the controversial 1905 Salon d'Automne exhibition - his style became more and more radical in its use of form and colour. The paintings he made in the period of 1905-1910 are considered by some to be his most important works. The themes of his work from that period are predominantly centered around the nightlife; he paints dancers, singers, masquerades and theatre. Van Dongen gained a reputation for his sensuous - at times garish - portraits of especially women. More on Kes Wang Dog

Vincent van Gogh,  (1853–1890)
Pont du Carroussel and the Louvre, Paris, June 1886
Oil on canvas
31 × 44 cm (12.2 × 17.3 in)
Ny Carlsberg Glyptotek, Copenhagen, Denmark

The Pont du Carrousel is a bridge in Paris, which spans the River Seine between the Quai des Tuileries and the Quai Voltaire. Begun in 1831 in the prolongation of the rue des Saints-Pères on the Left Bank, the original bridge was known under that name until its inauguration, in 1834, when king Louis-Philippe named it Pont du Carrousel, because it opened on the Right Bank river frontage of the Palais du Louvre near the Arc de Triomphe du Carrousel in front of the Tuileries.

The bridge's architect, Antoine-Rémy Polonceau, succeeded in a design that was innovative in several aspects. For one thing, the new structure was an arch bridge, during a period when most bridge construction had turned to suspension bridges; the necessary towers and cables would have been considered unacceptable additions to the Parisian scenery. The structure combined the relatively new material of cast iron with timber. Its graduated cast-iron circular supports were quickly dubbed "napkin rings" (ronds de serviette). At each corner of the bridge were erected classic style stone allegorical sculptures by Louis Petitot, which remain in situ. They represent Industry, Abundance, The City of Paris and The Seine. More on The Pont du Carrousel


Vincent van Gogh (born March 30, 1853, Zundert, Neth.—died July 29, 1890, Auvers-sur-Oise, near Paris, France). Dutch painter, generally considered the greatest after Rembrandt, and one of the greatest of the Post-Impressionists. The striking colour, emphatic brushwork, and contoured forms of his work powerfully influenced the current of Expressionism in modern art. Van Gogh’s art became astoundingly popular after his death, especially in the late 20th century, when his work sold for record-breaking sums at auctions around the world and was featured in blockbuster touring exhibitions. In part because of his extensive published letters, van Gogh has also been mythologized in the popular imagination as the quintessential tortured artist. More on Vincent van Gogh

Betsy Podlach, United States
Pink Apartment in Paris
 Oil and Tempera on Canvas.
Size: 60 H x 60 W x 3 in

Artist’s StatementI am a figurative painter who paints according to certain traditions – the creation of space (vs. mimicking of space) on a flat picture plane, the use of color and space to create light (vs. mimicking of light), using the principals of abstraction to paint solid forms, compose an entire image (the whole painting), incorporate lines and curves and color and my own light coming from within the painting.

I am an American painter who considers the Italian Venetians and the american abstract expressionist painters my mentors – they are the painters whose paintings I most love, and wanted to learn from.



I of course consider Leonardo Di Vinci and Michelangelo indespensible to my attempts to create form regarding the human body. More on Betsy Podlach









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04 Paintings, of The amorous game, Part 5 - With Footnotes

Mercier François, Canadian
Slowly, she exploited the moment
Acrylic on canvas
36 "x48"; 91 x 122 cm

Jack Vettriano, b. 1951
Private Dancer, c. 2006
310 gsm Hahnemuhle mould made paper
495 + 50 cm
Private collection

Jack Vettriano, b. 1951, see below

Jack Vettriano, b. 1951
The Opening Gambit, c. 1994
Private collection

Jack Vettriano, otherwise known as Jack Hoggan, was born on 17. of November 1951 in Methil, Fife, Scotland. His parents are of Italian origin. Jack Vettriano has been working for the last two decades as a very successful painter. The style of Vettriano’s art is often described as sentimental, mysterious, and often melancholic.

Jack Vettriano’s birth name is Jack Hoggan. He grew up in the industrial coastal city of Mehil. Vettriano left school when he was16 years old, to work in the local coal mine. His goal was to becoming a mining engineer.

Vettriano’s first painting was a copy of Monet’s poppy fields – still signed with the name Jack Hoggan. In 1988, Jack changed his name to Jack Vettriano, by adopting his mothers maiden name. Jack exhibited two of his paintings at the Royal Scottish Academy. The submission of his paintings aroused public interest in his work, and Jack soon secured enough income to devote himself fully to being an artist.

Vettriano’s most acclaimed and best-selling work is The Singing Butler. Interestingly, it was dismissed by the summer exhibition at the Royal Academy in 1992. However, sold at auction twelve years later for a fabulous £ 744,500.00.

Today, Jack Vettriano, works in his studios in London and Kirkcaldy, Scotland. More Jack Vettriano,

Emile Cambiaggio, 1857 - 1930, France
UNE CHARMEUSE, The charmer
Oil on canvas
141 by 204cm., 55½ by 80in.
Private collection

Emile Cambiaggio, 1857 - 1930, ITALIAN was a French visual artist who was born in 1857. Several works by the artist have been sold at auction, including 'Une charmeuse' (above) sold at Christie's London '19th Century European Art' in 2003. More on Emile Cambiaggio








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Wednesday, January 24, 2018

Lebanese movie 'The Insult' nominated for Oscar


Lebanese movie 'The Insult' nominated for Oscar: Lebanese director Ziad Doueiri’s movie “The Insult” was officially nominated for an Academy Award in the Foreign Language Film category Tuesday afternoon, the first time a Lebanese film has won an Oscar nomination.

Friday, January 19, 2018

05 Paintings by the Orientalist Artists in the Nineteenth-Century, with footnotes, 12

Adolf Schreyer, 1828 - 1899, GERMAN
ARAB HORSEMAN
Oil on canvas
82.5 by 68cm., 32½ by 26¾in.
Private collection

Adolf Schreyer (July 9, 1828 Frankfurt-am-Main – July 29, 1899 Kronberg im Taunus) was a German painter, associated with the Düsseldorf school of painting. He studied art, first at the Städel Institute in his native town, and then at Stuttgart and Munich. He painted many of his favourite subjects in his travels in the East. He first accompanied Maximilian Karl, 6th Prince of Thurn and Taxis through Hungary, Wallachia, Russia and Turkey; then, in 1854, he followed the Austrian army across the Wallachian frontier. In 1856 he went to Egypt and Syria, and in 1861 to Algiers. In 1862 he settled in Paris, but returned to Germany in 1870; and settled at Cronberg near Frankfurt, where he died.

Schreyer was, and is still, especially esteemed as a painter of horses, of peasant life in Wallachia and Moldavia, and of battle incidents. His work is remarkable for its excellent equine draughtsmanship, and for the artist's power of observation and forceful statement; and has found particular favour among French and American collectors. Of his battle-pictures there are two at the Schwerin Gallery, and others in the collection of Count Mensdorff-Pouilly and in the Raven Gallery, Berlin.  More on Adolf Schreyer

Charles Landelle, 1821 - 1908, FRENCH
L'ORIENTALE
Oil on canvas
55.5 by 38.5cm., 22 by 15in.
Private collection


Zacharie Charles Landelle, born on 2 June 1821 In Laval, the October 13 , 1908 In Chennevières-sur-Marne, is a French painter and portraitist. Born to a modest family. In 1857 he married Alice Letronne, daughter of the general of the guard Jean-Antoine Letronne who saved the National Archives in 1848 . Two sons, Georges and Paul, were born of this union, all of whom died during the lifetime of their father.

He followed his father  to Paris 1827. He only return to his hometown only at the end of his life.

He developed a talent and a very solid craft at the Ecole des Beaux Arts in Paris where he was admitted in 1837 as a pupil of Paul Delaroche and Ary Scheffer . At the beginning of his career, he painted several portraits to support himself. Influenced by Italian paintings after traveling in the South of France and Italy, he made copies of some of the paintings by the great masters of the Renaissance at the Louvre.

His portraits and large religious paintings were instantly successful, and allowed him to gain the recognition of the high society of the nineteenth century. Napoleon III admired him very much, bought from him the two canvases of the Beatitudes ( 1852 ) to offer them to the city of Laval. He received numerous state commissions.

From his travels in North Africa and the Middle East in the 1860s , he created works that were often very successful. His first voyage to Morocco dates from 1866. In 1866 he painted Femme Fellah, which earned him the nickname of a painter of the fellahs , a work purchased by the Emperor for his personal collection, but destroyed in the fire at the Château de Saint-Cloud in 1870. A replica, executed By Charles Landelle, is preserved in the museum of the Old Castle of Laval.


In 1875 , he is in Egypt, and travels the Nile with the explorer Mariette . He travelled each year to the East, or Algeria and returned with paintings. At the end of his life, Charles Landelle encouraged the creation in Laval of a museum of painting which he inaugurated in 1895, at the height of his glory, alongside the President of the Republic : it is the current Science Museum. More on Zacharie Charles Landelle



Frederick Arthur Bridgman, 1847 - 1928, AMERICAN
HALT IN THE DESERT
Oil on panel
18.5 by 23.5cm., 7¼ by 9¼in.
Private collection


Frederick Arthur Bridgman (November 10, 1847 - 1928) was an American artist, born in Tuskegee, Alabama. The son of a physician, Bridgman would become one of the United States' most well-known and well-regarded painters and become known as one of the world's most talented "Orientalist" painters. He began as a draughtsman in New York City, for the American Bank Note Company in 1864-1865, and studied art in the same years at the Brooklyn Art Association and at the National Academy of Design; but he went to Paris in 1866 and became a pupil of Jean-Leon Gerome. Paris then became his headquarters. A trip to Egypt in 1873-1874 resulted in pictures of the East that attracted immediate attention, and his large and important composition, The Funeral Procession of a Mummy on the Nile, in the Paris Salon (1877), bought by James Gordon Bennett, brought him the Cross of the Legion of Honor. Other paintings by him were An American Circus in Normandy, Procession of the Bull Apis (now in the Corcoran Gallery of Art, Washington, D.C.), and a Rumanian Lady (in the Temple collection, Philadelphia, Pennsylvania). More on Frederick Arthur Bridgman

Blas Olleros Y Quintana (Spanish, 1851–1919)
THE PERSIAN BATH
Oil on canvas
123.5 by 92cm., 48¾ by 36¼in
Private collection

Blas Olleros y Quintana was a Spanish visual artist who was born in 1852. Many works by the artist have been sold at auction, including 'In a Persian Bath' (above)sold at Sotheby's London 'European Paintings' in 2012. More on Blas Olleros y Quintana

Emile Cambiaggio, 1857 - 1930, ITALIAN
UNE CHARMEUSE, The charmer
Oil on canvas
141 by 204cm., 55½ by 80in.
Private collection

Emile Cambiaggio, 1857 - 1930, ITALIAN was a French visual artist who was born in 1857. Several works by the artist have been sold at auction, including 'Une charmeuse' (above)sold at Christie's London '19th Century European Art' in 2003. More on Emile Cambiaggio







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Sunday, January 14, 2018

05 Painting, Streets of Paris, by the artists of the time, Part 16 - With Footnotes

Manfred Lindemann-Frommel, 1852 - 1939, GERMAN
THE PORTE SAINT MARTIN, c. 1891
Oil on canvas
59 by 73.5cm., 23 by 29in.
Private collection

The Porte Saint-Martin is a Parisian monument located at the site of one of the gates of the now-destroyed fortifications of Paris. It is located at the crossing of Rue Saint-Martin, Rue du Faubourg Saint-Martin and the grands boulevards Boulevard Saint-Martin and Boulevard Saint-Denis.

The Porte Saint-Martin was designed by architect Pierre Bullet at the order of Louis XIV in honor of his victories on the Rhine and in Franche-Comté. Built in 1674, it replaced a medieval gate in the city walls built by Charles V. It was restored in 1988. More on The Porte Saint-Martin 

Eugène Galien-Laloue, (1854-1941)
Quais de Paris, Oil, c. 1920
Oil on canvas
44 x 65.5 cm
Private collection


The painting shows a part of the Seine dockside with fishermen, merchants, ships and the cityscape in the background

Eugène Galien-Laloue (1854–1941) was a French artist of French-Italian parents and was born in Paris on December 11, 1854. He was a populariser of street scenes, usually painted in autumn or winter. His paintings of the early 1900s accurately represent the era in which he lived: a happy, bustling Paris, la Belle Époque, with horse-drawn carriages, trolley cars and its first omnibuses. Galien-Laloue's works are valued not only for their contribution to 20th-century art, but for the actual history, which they document. His work can be seen at the Musée des Beaux-Arts, Louvier; Musée des Beaux-Arts, La Rochelle; Mulhouse, France.

A typical Galien-Laloue painting depicts sidewalks and avenues crowded with people or tourists mingling before the capital's monuments. He also painted the landscapes of Normandy and Seine-et-Marne, as well as military scenes he was commissioned to produce in 1914. The Republic of France selected Galien-Laloue to work as a 'war artist,' both during the Franco-Prussian War and World War I, chiefly in watercolor. More on Eugène Galien-Laloue

Eugene Galien-Laloue, (French, 1854-1941)
Au Bord de la Seine
Oil on canvas
19 x 25 inches.
Private collection


From the Louvre to the Eiffel Tower, from the Place de la Concorde to the Grand and Petit Palais, the evolution of Paris and its history can be seen from the River Seine. The Cathedral of Notre-Dame and the Sainte Chapelle are architectural masterpieces while Haussmann's wide squares and boulevards influenced late 19th- and 20th-century town planning the world over. More on Banks of the Seine

Eugene Galien-Laloue, (French, 1854-1941), see above


Pascale Taurua, France, b. 1961
du côté de Paris
Oil on canvas
 47.2 H x 47.2 W x 1.2 in

 A french girl taking a break on a "haussmannien" balcony.

Haussmann's renovation of Paris was a vast public works program commissioned by Emperor Napoléon III and directed by his prefect of the Seine, Georges-Eugène Haussmann, between 1853 and 1870. It included the demolition of medieval neighborhoods that were deemed overcrowded and unhealthy by officials at the time; the building of wide avenues; new parks and squares; the annexation of the suburbs surrounding Paris; and the construction of new sewers, fountains and aqueducts. Haussmann's work was met with fierce opposition, and he was finally dismissed by Napoleon III in 1870; but work on his projects continued until 1927. The street plan and distinctive appearance of the center of Paris today is largely the result of Haussmann's renovation. More on "haussmannien" architecture

Pascale Taurua is a painter born in 1961, in the French Polynesia. Her father was a carpenter, so she had access from an early age to different materials, which influenced her to start making her first creations. But it was her grandmother and her passion for fabrics, which taught Pascale everything about colors.

After studying at the Conservatory of Art in Papeete,Tahiti, Pascale decided to travel a lot in order to discover new sources of inspiration, colors and patterns, it was as well an opportunity for her to turn definitively to the field of design and painting.

It was also during her trips that Pascale experimented with a new technique that consisted in taking off posters and then modified them by adding paint, following the dripping technique inspired by Jackson Pollock.


Between paintings and collages, Pascale Taurua's pieces are a combination of street art and a more academic art, the artist loves the balance between softness and vitality, tenderness and strength which can be appreciated in all her pieces. More on Pascale Taurua

FRANCOIS GEROME, French (b. 1895) 
Portrait of Woman with Dog at Les Champs Elysee Paris
Oil on canvas

24 x 30 inches 
Private collection

The Avenue des Champs-Élysées is an avenue in the 8th arrondissement of Paris, running between the Place de la Concorde and the Place Charles de Gaulle, where the Arc de Triomphe is located. It is known for its theatres, cafés, and luxury shops, for the annual Bastille Day military parade, and as the finish of the Tour de France cycle race. The name is French for the Elysian Fields, the paradise for dead heroes in Greek mythology. It is one of the most famous streets in the world. More on the Champs-Élysées

François Gérôme (born 1895 in Paris) was a French painter. He is best known for his paintings of women depicted at picturesque spots throughout Paris including the Place de la Concorde and in front of the Opéra. In these representations, the women usually engage the viewer with their frontal pose and direct gaze outward. Gerome used oils, typically on canvas or on board. He signed his paintings with his first initial and last name, but was also known to sign in his alias B. Kovacs. More on François Gérôme 







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Thursday, January 11, 2018

03 Paintings by self-taught Algerian artist in the U.S. for the first time

Baya Mahieddine (1931–1998)
Femme attablées (Women at table), 1947
Gouache on board
19 1/2 x 25 3/8 in
Collection Adrien Maeght, Saint-Paulde-Vence, France 
© Photo Galerie Maeght, Paris.

Baya: Woman of Algiers is the first North American exhibition of works by the self-taught Algerian artist Baya Mahieddine (1931–1998). Known as Baya, she was born in Bordj el-Kiffan and orphaned at age five. Encouraged by her adoptive French mother to pursue art, she began as an adolescent to paint gouaches and make ceramics. Her work was soon discovered by fabled gallerist Aimé Maeght who, along with André Breton, organized an exhibition in Paris in 1947. Baya’s colorful depictions of women, rhythmic patterns, and bright palette drew the attention of Henri Matisse and Pablo Picasso, with whom she later collaborated in the renowned Madoura pottery studio in Vallauris. Celebrated in both Algeria and France, Baya has yet to gain international recognition. Woman of Algiers reexamines Baya’s career within contemporary, Surrealist, “outsider,” and Maghreb post-colonial art contexts.  The exhibition features works drawn from the Maeght Family Collection, Paris, as well as several Madoura ceramics by Picasso and a video by London-based French-Algerian artist Zineb Sedira. Baya is curated by Natasha Boas and will be accompanied by an illustrated catalogue with essays by  Boas, André Breton, Assia Djebar, and Menna Ekram. More on this exposition at New York University’s Grey Art Gallery 

MAHIEDDINE BAYA (1931-1998)
Mother and children, 1969 
Gouache and watercolor on paper, signed lower right 
99 x 148 cm at sight - 39 x 58 1/4 in. 

Baya MAHIEDDINE known as BAYA (1931-1998)
Basket of fruits and birds, c. 1979
Gouache on black canson,
51 x 101 cm 






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