Perino del Vaga (1501-1547),
Holy Family with Saint John the Baptist, 1528-37.
Oil on panel. Courtesy the Courtauld Gallery
Rembrandt Harmensz van Rijn (1606-1669),
Artist drawing from the model (unfinished).
Courtesy the Courtauld Gallery
Many of the works on display were set aside by a dissatisfied artist or left incomplete upon their death, providing a fascinating insight into the interrupted artistic process.
Claude Monet,
Vase of Flowers, 1881-2,
Oil on canvas.
Courtesy the Courtauld Gallery
Honoré Daumier (1808-1879),
Don Quixote and Sancho Panza, 1869-1872.
Oil on canvas.
Courtesy the Courtauld Gallery
Others occupy a more ambiguous territory: The impressionists were widely criticised for displaying works that looked unfinished and the late nineteenth century saw clashes between artistic intention and public reception.
Paul Cézanne (1839-1906),
Turning Road (Route Tournante), circa 1905.
Oil on canvas.
Courtesy the Courtauld Gallery
Edgar Degas 1834–1917
Woman at a Window 1871–2
Oil paint on canvas
613 x 459 mm
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