Showing posts with label Joseph Mallord William Turner. Show all posts
Showing posts with label Joseph Mallord William Turner. Show all posts

Our Art News Letter for June 5, 2015 - Including News for Dali, Frederic Remington, Joseph Mallord William Turner, Manet, Pablo Picasso, Picassi, Rembrandt,

John Willis Good (1845 - 1879)

Before & after the Race

Two massive bronze sculptures of horses by Josef Thorak, which stood outside the New Reich Chancellery in Berlin during Adolf Hitler’s rule, were recovered by German police, along with a number of other long-missing Nazi artworks — More

Picasso masterpiece “Les Femmes d’Alger,” which recently sold at Christie’s for a record $180 million, could be on its way to Qatar. Sources tell us that Hamad bin Jassim — also known as HBJ — was the buyer. One said, “The painting almost certainly will not go on public display in Qatar because of the nudity, even though it is a cubist work.”

Extraordinarily inventive and enduringly influential, J. M. W. Turner (1775–1851) produced many of his most important and famous pictures after the age of sixty, in the last fifteen years of his life. Demonstrating ongoing radicalism of technique and ever-original subject matter, these works show Turner constantly challenging his contemporaries while remaining keenly aware of the market for his art. More

A Paris art dealer has been detained by French authorities as part of a probe into an alleged art-trafficking ring, according to a person familiar with the matter, after the stepdaughter of Pablo Picasso complained that pieces from her collection had gone missing. More


The Art Of Salvador Dali

Frederic Remington's 'Pretty Mother of the Night -- White Otter is No Longer a Boy,' circa 1900; estimated at $1.2 million to $1.8 million
Christies: Visions of the West: American Paintings from the William I. Koch Collection represents the breadth of Western Art with works spanning the 19th Century to the present day. Highlights include the most important historic artists of the genre including Thomas Moran, Frederic Remington, Henry F. Farny, William Robinson Leigh, and Philip R. Goodwin, among others. The sale also features notable examples by many of the most important contemporary Western artists, including Howard Terpning, Martin Grelle, Tom Lovell and G. Harvey, among others. Representing a wide variety of Western subjects, the sale represents an excellent opportunity for new and established collectors alike.

Marina Picasso, Pablo Picasso’s granddaughter, is selling his villa in Cannes and 126 of his ceramics as she tries to shake off unhappy childhood memories of the artist. She has already received an offer of 150 million euros for La Californie, the luxurious Riviera villa and studio where the Spanish-born artist lived and worked during her childhood, she told the Nice-Matin regional newspaper on Saturday, while Auction house Sotheby's hopes to raise 6-8 million euros in the sale of the Picasso ceramics.

She has been selling off his works for years to support herself and her charities. She renovated the villa in 1987 and renamed it the “Pavillon de Flore”, although it is better known as “La Californie”.

She intends to use the proceeds of the auction to finance projects for elderly people and teenagers in France. Marina Picasso, who has five children, three of them adopted, has long been involved in philanthropy and financed a village for 350 orphans in Vietnam for 25 years.

She admits that she "couldn't bear to see his paintings" and "it took a lot of time to make the distinction between the artist and the grandfather".

Marina Picasso is also reportedly aggressively selling off some of her 10,000-piece collection of his art. Seven of the works are valued at $290 million.


Poor little rich girl?


This image released by Sotherby's auction house in London shows Edouard Manet's Le Bar aux Folies-Bergere. One of the defining images of French Impressionism is up for sale, as Sotheby's auctions Edouard Manet's "Le Bar aux Folies-Bergere." The auction house said Monday that the painting will be offered at a June 24 sale in London, with an estimated price of 15 million pounds to 20 million pounds ($23 million to $30.7million) 


A  painting described by Dr Christopher Brown, former director of theAshmolean Museum where it has recently been on loan, as “one of the greatest Old Masters in this country and one of finest portraits ever made by Rembrandt,” is to be sold to a private buyer for £35 million in a sale conducted by Sotheby’s. Unless a British institution can muster sufficient funds in the next six months, it will in all likelihood leave the UK, where it has been since the early-18th century. More

AcknowledgmentTelegraphTelegraph, PeopleCBSNews

5 Works - Marine art, J. M. W. Turner

Joseph Mallord William Turner
Dutch Boats in a Gale, c. 1801
Oil on canvas
162.5 × 221 cm
National Gallery

Dutch boats are shown on course for collision in stormy weather. Dark clouds contribute to the sense of danger. The painting was commissioned by the 3rd Duke of Bridgewater as a companion piece to a 17th-century Dutch seascape in his possession. More on this painting

Joseph Mallord William  Turner, RA (1775 – 19 December 1851) was an English Romanticist landscape painter, water-colourist, and printmaker. Turner was considered a controversial figure in his day, but is now regarded as the artist who elevated landscape painting to an eminence rivalling history painting.

Although renowned for his oil paintings, Turner is also one of the greatest masters of British watercolour landscape painting. He is commonly known as "the painter of light" and his work is regarded as a Romantic preface to Impressionism, and some of his works are cited as examples of abstract art prior to its recognition in the early 20th century. More on Joseph Mallord William Turner

Joseph Mallord William Turner 1775–1851
Snow Storm - Steam-Boat off a Harbour’s Mouth
Oil paint on canvas
914 × 1219 mm
1233 × 1535 × 145 mm
Tate
Extraordinarily inventive and enduringly influential, J. M. W. Turner produced many of his most important and famous pictures after the age of sixty, in the last fifteen years of his life. Demonstrating ongoing radicalism of technique and ever-original subject matter, these works show Turner constantly challenging his contemporaries while remaining keenly aware of the market for his art. More on this painting

Turner painted many pictures exploring the extreme weather at sea. Here, the steam-boat is shown at the centre of a storm. There is a story that Turner was tied to the mast of a ship during a storm so he could paint the event from memory. This is now thought to be untrue, but it has been used as an example of Turner’s direct engagement with the world around him.

The small ship, being overpowered by water and wind, can be seen as a symbol of human's efforts to overcome the forces of nature. More on this painting

Joseph Mallord William Turner 1775–1851
Venice at Sunrise from the Hotel Europa, with Campanile of San Marco,c. 1840
Watercolor on paper
7 4/5 × 11 in, 19.8 × 28 cm
J. Paul Getty Museum, Los Angeles

His canvases are a rough topography of thick impasto, sometimes smeared on with a palette knife. His watercolors, conversely, seem barely touched, as faint as afterimages and as immaterial as memories. Turner’s highly personal use of color extends across media. More on this painting

J.M.W. Turner’s dramatic, roiling seascapes united a Romantic appreciation for nature and architecture with references to literature, mythology, and history. His detailed depictions of bustling seaports, ships in storm-tossed seas, and other atmospheric scenes often bordered on abstraction with their loose, raw brushstrokes and appreciation of movement. More on this painting

Joseph Mallord William Turner 1775–1851
War. The Exile and the Rock Limpet
Oil paint on canvas
794 × 794 mm
Tate

This scene shows French military leader Napoleon in exile on the island of St Helena. He had been sent there after being defeated by a British-led army in 1815 at the Battle of Waterloo. Napoleon died in St Helena in 1821. This work was painted in the year his ashes were returned to France. The image does not appear to celebrate or condemn Napoleon, but instead suggests the pointlessness of war. The isolated uniformed body appears out of place in its surroundings. The red background invokes the trauma of battle. In verses attached to the canvas, Turner refers to the sunset as a ‘sea of blood’. More on this painting

Joseph Mallord William Turner 1775–1851
Whalers
Oil paint on canvas
911 × 1219 mm
Tate

This is the first of two whaling subjects Turner exhibited at the Royal Academy in 1845 (followed by two more in 1846), probably painted in the hope of selling them to his patron Elhanan Bicknell, an investor in the whaling industry.

The four pictures were inspired by Thomas Beale’s Natural History of the Sperm Whale (1839), with this painting based on an account of the pursuit of a whale in the North Pacific. At the right the creature has been harpooned and is bleeding, while men in three boats stand with their arms raised to strike again. More on this painting





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