05 Works, The Art of War, Marilyn Monroe Goes to Gaza, with footnotes

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Marilyn Monroe Goes to Gaza 1

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While it’s an interesting premise to imagine a figure like Marilyn Monroe stepping into a contemporary political crisis, it’s essential to acknowledge the complexities of such situations. Monroe, known for her glamorous Hollywood persona, could be portrayed as a symbol of compassion and advocacy for peace.

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In this scenario, she might use her fame to raise awareness, organize humanitarian efforts, or provide support for those in need. With her charisma and influence, Monroe could draw attention to the struggles faced by people in Gaza, emphasizing the importance of empathy, dialogue, and peaceful resolutions.

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As if stepping onto the stage of a modern tragedy, she would encounter the harsh realities of conflict, but also the resilience of the human spirit. Her efforts could involve collaborating with local organizations, engaging in cultural exchanges, and promoting messages of hope and solidarity.

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Ultimately, Monroe's journey would highlight the power of compassion in the face of adversity, advocating for a world where voices are heard, and humanity prevails over discord.

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Marilyn Monroe (June 1, 1926 – August 4, 1962) was an American actress and model. Known for playing "blonde bombshell" characters, she became one of the most popular sex symbols of the 1950s and early 1960s, as well as an emblem of the era's sexual revolution. She was a top-billed actress for a decade, and her films grossed $200 million (equivalent to $2 billion in 2023) by the time of her death in 1962. More on Marilyn Monroe

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07 Works, The Art of War, Abbott Handerson Thayer's The Valkyrie Arrive in Gaza, with footnotes

After Abbott Handerson Thayer

The Valkyrie Arrive in Gaza 1

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As the Valkyrie descended upon the grief-stricken land, her radiant presence brought a glimmer of hope amidst the despair. With her wings outstretched, she soared above the ruins, her eyes piercing through the smoke and rubble. Every cry for help echoed within her, fueling her determination to bring solace and aid to those in need.

After Abbott Handerson Thayer

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She approached the fallen warriors, those who fought valiantly until their last breath, their spirits yearning for a place in the halls of Valhalla. With a gentle touch, she lifted their souls, carrying them towards the heavenly realm where eternal glory awaited them. Amidst the chaos, their sacrifices would not be forgotten.

After Abbott Handerson Thayer

The Valkyrie Arrive in Gaza 4

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But the Valkyrie's duty didn't end there. She descended upon the wounded, her healing touch soothing their pain and mending their broken bodies. With her celestial powers, she granted them strength to endure and hope for a better tomorrow.

After Abbott Handerson Thayer

The Valkyrie Arrive in Gaza 5

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Amidst the devastation, the valkyrie's mission extended to the orphaned and the suffering, especially the innocent children who had lost their families. She embraced them in her protective wings, giving them comfort and reassurance that they were not alone. With tender care, she extended her hand towards the mothers who cried out for help, wiping away their tears and offering them strength to persevere.

After Abbott Handerson Thayer

The Valkyrie Arrive in Gaza 6

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Throughout the desolate streets, the valkyrie became a symbol of resilience and compassion. Her presence served as a reminder that even in the darkest moments, there were forces of goodness and light willing to fight against the cruelty of the world. In the face of death and destruction, she became the beacon of hope for an afflicted land.

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The Valkyrie Arrive in Gaza 7

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And as the valkyrie continued on her righteous path, her mission to aid those in need would never waver. Galvanized by the suffering she witnessed, she vowed to remain a guardian of the oppressed, a protector of the innocent, and a bringer of justice. With every flight over the city, she carried with her the unwavering spirit of compassion, inspiring others to join her in the fight against despair and to rebuild what had been destroyed.

In Norse mythology, a valkyrie is one of a host of female figures who guide souls of the dead to the god Odin's hall Valhalla. There, the deceased warriors become einherjar (fighters]). When the einherjar are not preparing for the cataclysmic events of Ragnarök, the valkyries bear them mead. Valkyries also appear as lovers of heroes and other mortals, where they are sometimes described as the daughters of royalty, sometimes accompanied by ravens and sometimes connected to swans or horses. More on the Valkyrie

Abbott Handerson Thayer (August 12, 1849 – May 29, 1921) was an American artist, naturalist, and teacher. As a painter of portraits, figures, animals, and landscapes, he enjoyed a certain prominence during his lifetime, and his paintings are represented in major American art collections. He is perhaps best known for his 'angel' paintings, some of which use his children as models.

During the last third of his life, he worked together with his son, Gerald Handerson Thayer, on a book about protective coloration in nature, titled Concealing-Coloration in the Animal Kingdom. First published by Macmillan in 1909, then reissued in 1918, it may have had an effect on military camouflage during World War I. However it was roundly mocked by Theodore Roosevelt and others for its assumption that all animal coloration is cryptic.

Thayer also influenced American art through his efforts as a teacher, training apprentices in his New Hampshire studio. More on Abbott Handerson Thayer

Please visit my other blogs: Art Collector, Mythology, Marine Art, Portrait of a Lady, The Orientalist, Art of the Nude and The Canals of Venice, Middle East Artists, 365 Saints, 365 Days, and Biblical Icons, also visit my Boards on Pinterest and deviantart

Images are copyright of their respective owners, assignees or others. Some Images may be subject to copyright

I don't own any of these images - credit is always given when due unless it is unknown to me. if I post your images without your permission, please tell me.

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10 Works, The Art of War, Abbott Handerson Thayer's An Angel Flew Over Gaza, with footnotes

After Abbott Handerson Thayer

An Angel Flew Over Gaza 1

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The angels came to Gaza in the time of death and devastation! They flew over the city filled with death and destruction. The then came down to help the dead, the wounded, the orphaned and the suffering. The children who lost their families. The mothers who cried for help that wasn’t coming.

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They wrapped their wings around the broken hearts, offering solace and comfort. With gentle whispers, they reassured the frightened souls that they were not alone.

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The angels brought healing to the wounded, mending their broken bodies and easing their pain. They brought love and care to the orphans, becoming their guiding light in the darkness. They listened to the sorrowful cries of the mothers, holding their hands and wiping away their tears.

After Abbott Handerson Thayer

An Angel Flew Over Gaza 5

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After Abbott Handerson Thayer

An Angel Flew Over Gaza 6

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In the midst of despair, the angels brought hope. They reminded the people of Gaza that the world still cared, that there was light beyond the darkness. They stood as beacons of strength, urging the people to endure and to never lose faith.

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With their angelic presence, they inspired unity and resilience in the community. Strangers became neighbors, and neighbors became family. Together, they rebuilt homes and restored hope, their spirits lifted by the angels' unwavering support.

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An Angel Flew Over Gaza 8

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Though the angels could not change the reality of the devastation, their compassion and empathy brought a sense of peace. They reminded the people that even in the darkest times, there is always a glimmer of light, a ray of hope.

After Abbott Handerson Thayer

An Angel Flew Over Gaza 9

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And so, the angels continued to watch over Gaza, providing comfort to those who needed it most. They became the symbol of humanity's capacity for kindness, reminding us of our obligation to extend a helping hand to one another.

After Abbott Handerson Thayer

An Angel Flew Over Gaza 10

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In times of death and devastation, the angels of Gaza showed us that even amidst turmoil, love and compassion have the power to heal and rebuild.

Abbott Handerson Thayer (August 12, 1849 – May 29, 1921) was an American artist, naturalist, and teacher. As a painter of portraits, figures, animals, and landscapes, he enjoyed a certain prominence during his lifetime, and his paintings are represented in major American art collections. He is perhaps best known for his 'angel' paintings, some of which use his children as models.

During the last third of his life, he worked together with his son, Gerald Handerson Thayer, on a book about protective coloration in nature, titled Concealing-Coloration in the Animal Kingdom. First published by Macmillan in 1909, then reissued in 1918, it may have had an effect on military camouflage during World War I. However it was roundly mocked by Theodore Roosevelt and others for its assumption that all animal coloration is cryptic.

Thayer also influenced American art through his efforts as a teacher, training apprentices in his New Hampshire studio. More on Abbott Handerson Thayer

01 Work, The Art of War, Nicolas Tournier's Tears of Gaza, with footnotes

After Nicolas Tournier

Tears of Gaza

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In this oil painting reminiscent of Nicolas Tournier's style, the canvas depicts the harrowing scene of a Gazan mother's despair amidst the chaos and destruction of her city. The composition is filled with a sense of hopelessness and anguish.

Buildings reduced to ruins stand as silent witnesses to the devastating effects of conflict. The air is thick with smoke, hinting at the ongoing violence and destruction that surrounds the mother.

The central figure, a Gazan mother, kneels on the ground, her body weighed down by grief and despair. Her face is illuminated in a ray of light, highlighting her pain-stricken expression, conveying the depth of her sorrow. Torn clothes and dust-covered skin illustrate her struggle and the hardships she has endured.

From every direction, invading soldiers advance, their presence menacing and threatening. Their armor and weapons are portrayed with sharp detail, symbolizing the power imbalance and the vulnerability of the civilians caught in the crossfire.

In the background, the sky is filled with billowing clouds, hinting at the unrelenting nature of the conflict. The flame of a demolished building casts an eerie glow, casting long, haunting shadows across the scene.

The overall tone of the painting creates an emotional and evocative ambiance, capturing the devastating reality faced by the innocent during times of conflict. The painting serves as a poignant reminder of the countless lives affected by war and the urgent need for compassion and peace.

Nicolas Tournier (baptised 12 July 1590 – d. before February 1639) was a French Baroque painter.

Born in Montbéliard, he followed the profession of his father. Little is known of his life before his arrival in Rome, where he worked between 1619 and 1626, and where he was influenced by the work of Caravaggio. He painted both secular and religious subjects. After 1626 Tournier was active in southern France. He died in Toulouse.

His work The Carrying of the Cross, painted around 1632, originally hung in the Toulouse chapel of the Company of the Black Penitents. During the French Revolution it was confiscated by the state and moved to a museum, from where it was stolen in 1818. After being lost for nearly two centuries, it reappeared in 2009 during an art collector's estate sale in Florence; when the Weiss Gallery of London purchased it in a Paris auction in 2011, the French government classified it as stolen property and banned it from leaving the country. More on Nicolas Tournier

Please visit my other blogs: Art Collector, Mythology, Marine Art, Portrait of a Lady, The Orientalist, Art of the Nude and The Canals of Venice, Middle East Artists, 365 Saints, 365 Days, and Biblical Icons, also visit my Boards on Pinterest and deviantart

Images are copyright of their respective owners, assignees or others. Some Images may be subject to copyright

I don't own any of these images - credit is always given when due unless it is unknown to me. if I post your images without your permission, please tell me.

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05 Works, The Art of War, Rembrandt andJohn Frederick Lewis's The destruction of Gaza, with footnotes

After John Frederick Lewis

Alma Lamenting the Destruction of her city

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John Frederick Lewis RA (London 14 July 1804 – 15 August 1876) was an Orientalist English painter. He specialized in Oriental and Mediterranean scenes in exquisitely detailed watercolour or oils. Lewis lived for several years in a traditional mansion in Cairo, and (after his return to England) painted highly detailed works showing both realistic genre scenes of Middle Eastern life and more idealized scenes in upper class Egyptian interiors with no traces of Western cultural influence yet apparent.

His very careful and loving representation of Islamic architecture, furnishings, screens, and costumes set new standards of realism, which influenced other artists, including the leading French Orientalist painter Jean-Léon Gérôme in his later works. Unlike many other Orientalist painters who took a salacious interest in the women of the Middle East, he "never painted a nude", and his wife modelled for several of his harem scenes. More on John Frederick Lewis

After Rembrandt Harmenszoon van Rijn

Alma Lamenting the Destruction of her home

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Alma Lamenting the Destruction of Gaza is a painting In the style of Rembrandt, the renowned Dutch artist who in 1630 painted the destruction of Jerusalem. 

After Rembrandt Harmenszoon van Rijn

Alma Lamenting the Destruction of Gaza

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Rembrandt's interpretation of the scene showcases his mastery of light and shadow. The diagonal composition directs the viewer's attention to Alma, the central figure. She is shown wearing robes, her face expressing deep sorrow as she bows her head as she sits amongst the ruin of her home.

The background of the artwork features remnants of the ruined city, symbolizing the devastation caused by war and destruction. The muted color palette and subdued tones further contribute to the somber atmosphere of the scene.

After Rembrandt Harmenszoon van Rijn

The destruction of Gaza

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Alma Lamenting the Destruction of Gaza stands out as religious paintings, showcasing Rembrandt's ability to convey human emotions and spirituality through his art. 

Alma was by far the most distinguished of women because of her many superior qualities, especially because of the bravery she demonstrated in defense of her people.

Islam elevated the status of women, treating them on an equal footing with a man. Women had a newfound independent identity, in the physical and spiritual spheres.

Islamic history is full of warrior women who fiercely fought for what they believed in, defended what they cherished, and defied all expectations and became legends.

The Warrior Woman is an ancient archetype that is not well known because the stories have been both forgotten and suppressed. Mythology is full of warrior goddesses.

Traditionally, the Bedouin were among the most dangerous of desert tribes, fighting among themselves when outsiders weren’t available. Constantly on the move to find new pastures for their livestock, they learned to live with the minimum of possessions and little external support in the harshest of lands. Loyalty to tribe and family was all that helped a warrior survive. More on Desert Warriors

Rembrandt Harmenszoon van Rijn (15 July 1606 – 4 October 1669) was a Dutch painter and etcher. He is generally considered one of the greatest painters and printmakers in European art and the most important in Dutch history. His contributions to art came in a period of great wealth and cultural achievement that historians call the Dutch Golden Age when Dutch Golden Age painting, although in many ways antithetical to the Baroque style that dominated Europe, was extremely prolific and innovative, and gave rise to important new genres in painting.

 

Having achieved youthful success as a portrait painter, Rembrandt's later years were marked by personal tragedy and financial hardships. Yet his etchings and paintings were popular throughout his lifetime, his reputation as an artist remained high, and for twenty years he taught many important Dutch painters. Rembrandt's greatest creative triumphs are exemplified most notably in his portraits of his contemporaries, self-portraits and illustrations of scenes from the Bible. His self-portraits form a unique and intimate biography, in which the artist surveyed himself without vanity and with the utmost sincerity.

 

In his paintings and prints he exhibited knowledge of classical iconography, which he molded to fit the requirements of his own experience; thus, the depiction of a biblical scene was informed by Rembrandt's knowledge of the specific text, his assimilation of classical composition, and his observations of Amsterdam's Jewish population. Because of his empathy for the human condition, he has been called "one of the great prophets of civilization." More on Rembrandt Harmenszoon van Rijn

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Images are copyright of their respective owners, assignees or others. Some Images may be subject to copyright

I don't own any of these images - credit is always given when due unless it is unknown to me. if I post your images without your permission, please tell me.

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04 Works, The Art of War, TIZIANO Vecellio's Resilience Amidst Adversity, with footnotes

On a somber afternoon, a young Gazan, Salma, embarked on a journey to gather scarce provisions for her family, hoping to find a glimmer of hope amid the desolation. As she walked, her eyes searching for any signs of life, she clutched her tattered shawl tightly around her shoulders, a shield against the devastation and an emblem of her resilience.

After TIZIANO Vecellio

Resilience Amidst Adversity
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A lone enemy soldier lurked in the shadows, his heart consumed by anger and hatred. He saw in Salma a symbol of everything he had been taught to despise. Fuelled by a dangerous ideology, his intentions were sinister and aimed at breaking the spirit of a community already on the edge.

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With each cautious step Salma took, her weary eyes caught sight of the soldier's lurking presence. Fear instantly gripped her heart as she saw the malice in his eyes. She quickened her pace, desperately hoping to evade his grasp and escape unharmed.

After TIZIANO Vecellio

Resilience Amidst Adversity
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An overwhelming surge of adrenaline surged through Salma's veins as the soldier lunged towards her, fueled by a twisted conviction. But Salma's spirit was far stronger than the darkness that threatened to consume her. In a moment of sheer defiance, she unleashed a powerful scream, drawing the attention of nearby residents who had also braved the streets for their own survival.

After TIZIANO Vecellio

Resilience Amidst Adversity
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They rushed to her aid, united in their refusal to let the soldier carry out his wicked intentions. United against the nightmarish backdrop of their shattered city, the tight-knit community rose up, their collective voices denouncing the soldier's violent act. The soldier leaves the scene!

Please visit my other blogs: Art Collector, Mythology, Marine Art, Portrait of a Lady, The Orientalist, Art of the Nude and The Canals of Venice, Middle East Artists, 365 Saints, 365 Days, and Biblical Icons, also visit my Boards on Pinterest and deviantart

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01 Work, The Art of War, Titian's Warriors, with footnotes

After Titian

Warriors

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Within the sublime and grandeur of a Titianesque composition, a poignant scene unfolds upon the canvas. The mastery of brushstrokes and the vividness of colors transport us to a tumultuous world where suffering and resilience coexist.

At the center of this tableau, stands the Hamas soldiers, their figures robust and towering, emanating an aura of rugged strength. Cloaked in their military uniform, symbolizing determination amidst bloodshed. Their hardened faces bear the marks of countless trials and tribulations. Sunken eyes, shaded with the weariness of war, fixate upon the viewer, searching for understanding or perhaps just a hint of empathy.

Tiziano Vecelli or Vecellio (c. 1488/90 – 27 August 1576), known in English as Titian), was an Italian (Venetian) painter of the Renaissance, considered the most important member of the 16th-century Venetian school. 

Titian was one of the most versatile of Italian painters, equally adept with portraits, landscape backgrounds, and mythological and religious subjects. His painting methods, particularly in the application and use of colour, exercised a profound influence not only on painters of the late Italian Renaissance, but on future generations of Western artists.

His career was successful from the start, and he became sought after by patrons, initially from Venice and its possessions, then joined by the north Italian princes, and finally the Habsburgs and papacy. Along with Giorgione, he is considered a founder of the Venetian School of Italian Renaissance painting.

During the course of his long life, Titian's artistic manner changed drastically, but he retained a lifelong interest in colour. More on Titian

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Images are copyright of their respective owners, assignees or others. Some Images may be subject to copyright

I don't own any of these images - credit is always given when due unless it is unknown to me. if I post your images without your permission, please tell me.

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08 Works, The Art of War, Henry Zaidan's Alma is sent back to Gaza, with footnotes

Henry Zaidan

Alma is sent back to Gaza

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neural.love

The time off that Alma had was passed quickly! The business of Gaza had to be attended to. Called back to duty, Alma and her soldiers return to free the war torn city, and care for the severely wounded and distraught citizens. 

Henry Zaidan

Alma and her warriors enter the city

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This time Alma has been allotted enough warriors with which to finish the job. A phoenix flies above.

Henry Zaidan

Alma and her warriors enter the city

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With swift and strategic movements, Alma’s Bedouin troops charged forward, their horses thundering through the city streets. The enemy lines stood no chance as they were utterly crushed under the raw power and determination of the Alma's Bedouin warriors.

Henry Zaidan

Alma's horse stumbles

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The Bedouin troops, highly skilled and seasoned in desert warfare, used their knowledge of the city to their advantage. They skillfully maneuvered around the enemy's defensive formations, launching surprise attacks from unexpected streets. With their expert horsemanship and deadly accuracy with weapons, they swiftly overpowered the invader's forces.

Henry Zaidan

The Bedouin warriors fought with unyielding courage and ferocity

AI Generation

neural.love

The enemy soldiers, caught off guard by the fierce assault, scrambled to defend themselves but were quickly overwhelmed by the Bedouin onslaught. The Bedouin warriors fought with unyielding courage and ferocity, relying on their deep-rooted traditions of honor and bravery to fuel their every move.

Henry Zaidan

Alma unhorsed and on foot

AI Generation

neural.love

As their enemies fell in droves, the Bedouin troops forged ahead, driving deeper into Gaza. Their unity and discipline were unmatched, their determination unwavering. With each enemy soldier they defeated, their confidence soared, creating an unstoppable momentum that carried them forward.

Henry Zaidan

Alma observing the field of battle

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The sound of battle filled the air as clashes of steel and cries of victory intermingled. The enemy lines shattered and fragmented, unable to withstand the relentless assault of Alma’s Bedouin warriors. They fought with a passion and a resolve that could not be extinguished, determined to claim victory at any cost.

Henry Zaidan

Alma's friend escaping captured

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Through their unwavering bravery and skill, Alma’s Bedouin troops cut through the enemy lines like a scythe, leaving behind a trail of destruction. They fought not only for victory but for their way of life, their tribes, and their honor. And in this clash, they emerged triumphant, forever etching their names in the annals of history as legendary warriors.

Alma was by far the most distinguished of women because of her many superior qualities, especially because of the bravery she demonstrated in defense of her people.

Islam elevated the status of women, treating them on an equal footing with a man. Women had a newfound independent identity, in the physical and spiritual spheres.

Islamic history is full of warrior women who fiercely fought for what they believed in, defended what they cherished, and defied all expectations and became legends.

The Warrior Woman is an ancient archetype that is not well known because the stories have been both forgotten and suppressed. Mythology is full of warrior goddesses.

Traditionally, the Bedouin were among the most dangerous of desert tribes, fighting among themselves when outsiders weren’t available. Constantly on the move to find new pastures for their livestock, they learned to live with the minimum of possessions and little external support in the harshest of lands. Loyalty to tribe and family was all that helped a warrior survive. More on Desert Warriors

Please visit my other blogs: Art Collector, Mythology, Marine Art, Portrait of a Lady, The Orientalist, Art of the Nude and The Canals of Venice, Middle East Artists, 365 Saints, 365 Days, and Biblical Icons, also visit my Boards on Pinterest and deviantart

Images are copyright of their respective owners, assignees or others. Some Images may be subject to copyright

I don't own any of these images - credit is always given when due unless it is unknown to me. if I post your images without your permission, please tell me.

I do not sell art, art prints, framed posters or reproductions. Ads are shown only to compensate the hosting expenses.

If you enjoyed this post, please share with friends and family.

Thank you for visiting my blog and also for liking its posts and pages.

Please note that the content of this post primarily consists of articles available from Wikipedia or other free sources online.