Safwan Dahoul, B. 1961, SYRIAN
UNTITLED
Oil and gold leaf on wood
25 by 20cm.; 9 7/8 by 7 7/8 in.
Private collection
Safwan Dahoul, born in 1961 in Hama, Syria,
Dahoul was initially trained by leading modernists at the Faculty of Fine Arts,
University of Damascus before travelling to Belgium, where he earned a
doctorate from the Higher Institute of Plastic Arts in Mons. Upon returning to
Syria, he began teaching at the Faculty of Fine Arts and was a prominent member
of the Damascus art scene. In the span of a decade, Dahoul nurtured a new
generation of artists as an active mentor whose evolving aesthetic often
ignited new directions in painting. Given the trajectory and status of his
painting style, Dahoul’s career is regarded as a crucial link between modern
and contemporary Arab art.
Since the late 1980s, Dahoul’s ongoing Dream series has
explored the physical and psychological effects of alienation, solitude, and
longing that punctuate the human experience at various stages in life. Partly
autobiographical, this seminal body of work uses the formal properties of
painting to recreate the subconscious sense of enclosure that surfaces during
times of crisis. The artist’s recurring female protagonist facilitates this
visceral experience through her contorted body, often-vacant eyes, and
minimised yet monumental physicality. Depicted in the confinement of ambiguous
settings, her presence is defined by the placement of various objects that seem
to deepen the state of her disaffection, as even the familiar becomes a trigger
of distress. More on Safwan
Dahoul
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