01 Work, The Art of War, Sliman Mansour's crowd, with footnotes

MANSOUR Soleiman (Birzeit, 1947)

The crowd, c. 1985

Oil on canvas

H. 115 cm, w. 100 cm

Museum of the Institute of the Arab World

Mansour is a committed Palestinian artist. Here he paints a compact crowd, seized with fear and hampered by the barbed wire of the occupation. Beyond the Palestinian question, this image has, thirty years after its execution, a more universal scope: we see the people confronted with conflicts and the migrations which are their consequence. More on this painting

Sliman Mansour ( born 1947), is a Palestinian painter, considered an important figure among contemporary Palestinian artists. Mansour is considered an artist of intifada whose work captures to the cultural concept of sumud. Palestinian artist and scholar Samia Halaby has identified Mansour as part of the Liberation Art Movement and cites his important work as an artist and cultural practitioner before and after the Intifada.

During the Intifada, Mansour was part of the "New Visions" group of Palestinian artists that included Tayseer Barakat, Vera Tamari, and Nabil Anani. This collective turned to earthworks and mixed media and assemblage using materials derived from the Palestinian environment in order to boycott Israeli art supplies in protest of the ongoing occupation. In 1988 he made a series of four paintings on destroyed Palestinian villages, the four villages being Yibna, Yalo, Imwas and Bayt Dajan.

He is a co-author of Both Sides of Peace: Israeli and Palestinian Political Poster Art, published in 1998 by the Contemporary Art Museum with University of Washington Press. More on Sliman Mansour

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