01 Work, The Art of War, Georges Rochegrosse's Andromaque, with footnotes

Georges Rochegrosse  (1859–1938)
Andromaque, c. 1883
ENGRAVING 
4795 x 3350
Musée des beaux-arts de Rouen en France

This is a distinctly surprising work, where the atrocities of war are depicted with raw violence – severed heads, pools of blood, lifeless bodies stretched out on the ground or hanging from the wall – at the same time as candid eroticism, such as Andromache's swelling bosom: an appealing show of female nudity placed well in view.

The subject of this painting by Rochegrosse is the sacrifice of Astyanax, the son of Hector's wife Andromache, at the end of the Trojan War, when Astyanax is torn from his mother's arms and thrown from the ramparts of Troy by Odysseus, the Greek hero. More on this painting

Andromaque is a tragedy in five acts. The play takes place in the aftermath of the Trojan War, during which Andromache's husband Hector, son of Priam, has been slain by Achilles and their young son Astyanax has narrowly escaped a similar fate at the hands of Ulysses, who has unknowingly been tricked into killing another child in his place. More on Andromaque

Georges Antoine Rochegrosse (2 August 1859 – 7 November 1938) was a French historical and decorative painter.

He was born in Versailles and studied in Paris with Jules Joseph Lefebvre and Gustave Clarence Rodolphe Boulanger. His themes are generally historical, and he treated them on a colossal scale and in an emotional naturalistic style, with a distinct revelling in horrible subjects and details.

He made his Paris Salon début in 1882 with Vitellis traîné dans les rues de Rome par la populace (Vitellius dragged through the streets of Rome by the people) (1882; Sens). He followed this the year afterwards with Andromaque (1882–83; Musée des Beaux-Arts de Rouen), which won that year's prestigious Prix du Salon. There followed La Jacquerie (1885; Untraced), Le mort de Babylone (The fall of Babylon) (1891; Untraced), The death of the Emperor Geta (1899; Musée de Picardie, Amiens), and Barbarian ambassadors at the Court of Justinian (1907; Untraced), all of which exemplify his strong and spirited but sensational and often brutal painting. In quite another style and beautiful in colour is his Le Chevalier aux Fleurs (The Knight of Flowers) (1894; Musée d’Orsay, Paris; RF 898).

He was elected an Officer of the Legion of Honour in 1892 and received the Medal of Honour in 1906 for The Red Delight. Rochegrosse also illustrated several books. Some of the drawings for these illustrations are in the Department of Prints and Drawings at the British Museum, London. He lived his final years in Algeria, but returned to Paris where he died and is buried in Montparnasse Cemetery. His wife, Marie Rochegrosse (née Leblond), had died in 1920. More on Georges Antoine Rochegrosse




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