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In representing the Battle between Heraclius and Chosroes, Piero has chosen to represent the grim mechanics of the slaughter: there are no beautiful patterns, no lovely light, and the armour has little allure. The legs of horses and people fill the lower part of the composition, while above masses of steel and flesh collide. There are incidents of utter brutality, as when a soldier near the throne jabs his dagger into the throat of another, or of pathos, as we watch the dying figure below the rearing horse. The dethroned monarch on the far right awaits the executioner's sword. Above him the True Cross is blasphemously incorporated into his throne. More on this painting
The Byzantine–Sasanian War of 602–628 was the final and most devastating of the series of wars fought between the Byzantine / Roman Empire and the Sasanian Empire of Iran. The previous war between the two powers had ended in 591 after Emperor Maurice helped the Sasanian king Khosrow II regain his throne. In 602 Maurice was murdered by his political rival Phocas. Khosrow declared war, ostensibly to avenge the death of the deposed emperor Maurice. This became a decades-long conflict, the longest war in the series, and was fought throughout the Middle East: in Egypt, the Levant, Mesopotamia, the Caucasus, Anatolia, Armenia, the Aegean Sea and before the walls of Constantinople itself. More on The Byzantine–Sasanian War
Piero della Francesca (1415 – 1492) was an Italian painter of the Early Renaissance. As testified by Giorgio Vasari in his Lives of the Most Excellent Painters, Sculptors, and Architects, to contemporaries he was also known as a mathematician and geometer. Nowadays Piero della Francesca is chiefly appreciated for his art. His painting was characterized by its serene humanism, its use of geometric forms and perspective. His most famous work is the cycle of frescoes The History of the True Cross in the church of San Francesco in the Tuscan town of Arezzo. More on Piero della Francesca
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