Thursday, January 23, 2020

01 Painting, MIDDLE EASTERN ART, With Footnotes - 47

Mamdouh Kashlan, (Syrian, b. 1929)
Hammam Al Nissaa’s bil sham (Women’s public bath in Damascus), c. 1990
Oil on canvas
68 7/8 x 78 ¾ in. (175 x 200cm.)
Private collection

Damascus Public Baths (Hammams) were commonly used in Damascus as a civilized phenomena that denotes the interest of the Damascenes in their health, and cleanness of bodies. Going to the bath was a religious and social habit of life in the Orient in general and in Damascus in particular. 

With very limited means of entertainment in a closed society, women changed the visit to the bath into an opportunity to meet other women, and to deepen social relations. By time, public baths were linked to several social occasions like marriages, births, and preparations for feasts. Women used to spend long hours in the bath consuming all the time specified for them; usually from midday to the evening. More on Hammams

Mamdouh Kashlan (born 1929 in Damascus) is a Syrian painter. He has held more than 300 exhibitions in Syria and around the world and many of his paintings are on display in the National museums of Damascus, Aleppo and Deir Atieh and the presidential palace. His work is also on display in the Sorsoq Museum in Beirut, Lebanon, Modern art museum in Cairo, Egypt and has been displayed in Sofia, Bulgaria, Paris and Seinajoki, Finland. In 1996 he was awarded the pioneers prize from the ministry of culture. More on Mamdouh Kashlan




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