02 Paintings, Streets of Paris, Pal Fried's Can Can Dancers, Part 63 - With Footnotes

Fried Pal, (1893 - 1976)

Untitled, (Can Can Dancers)

Oil on canvas

30  1/4  x  24  1/4  inches

Private collection

The can-can  is a high-energy, physically demanding dance that became a popular music hall dance in the 1840s, continuing in popularity in French cabaret to this day. Originally danced by both sexes, it is now traditionally associated with a chorus line of female dancers. The main features of the dance are the vigorous manipulation of skirts and petticoats, along with high kicks, splits, and cartwheels. More on the can-can

Pal Fried (American/Hungarian, 1893-1976)

Can-Can

Oil on canvas

30 1/2 x 24 1/4 inches.

Private collection

Pál Fried (16 June 1893 in Hungary – 6 March 1976 in New York City) was a Hungarian artist best known for his eroticized paintings of female dancers and nudes.

Fried was born in Budapest in 1893. He received his art education at the Académie hongroise des arts (Hungarian Academy of Arts) where he was a pupil of Hugo Pohl who became one of his major influences. While under Pohl's direction, he executed many portraits of female nudes and Orientalist works. Later he studied in Paris at the Académie Julian, where he was the pupil of Claude Monet and Lucien Simone. In Paris, he was greatly influenced by the French Impressionists, especially Pierre-Auguste Renoir and Edgar Degas. This inspired him to prepare many paintings of ballerinas, dancers and circus performers.

Fried emigrated to the United States in 1946 after World War II, where he taught at the New York Academy of Art. He prepared portraits of American celebrities such as Marilyn Monroe. Through his work in portraiture, he gained considerable financial success.

He worked in oils and pastels and experimented with light and movement. His oil paintings were usually of dancers, nudes, and portraits, and while his subjects were primarily female, he also painted Paris, seascapes, cowboys and landscapes of the American West as well as Orientalist subject matter. He signed his paintings, as is usual in Hungarian, with his surname first as "Fried Pál". At times, this particular artist would make several, almost identical versions of the same oil painting, except he would use slightly different facial expressions and/or would try different colour schemes. More on Pál Fried

Please visit my other blogs: Art Collector, Mythology, Marine Art, Portrait of a Lady, The Orientalist, Art of the Nude and The Canals of Venice, Middle East Artists, 365 Saints and 365 Days, also visit my Boards on Pinterest

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