Private collection
Even though she was born in Tehran, Etemadi she spent her early childhood in the city of Birjand (in south of Khorasan close to the vast barren eastern Iranian plateau). After finishing both her primary and secondary education in Tehran she began to study at the Fine Art College of Tehran University (1967). This coincided with the foundation of Ta’la’r-e Iran (Hall of Iran, later changed to Talar Ghandriz) by a group of visual arts activists; a significant event attracting many young artists including Parvaneh who not only participated in more than 10 group exhibitions displayed there from 1967 to 1977, but also held her first solo exhibition at the same hall (Ghandriz) in 1969.
During the first period of her artistic activity she appeared as an abstract painter. Her abstract works were free compositions of forms appearing in pleasing proportions with extensive touches of cold opaque colors, nevertheless designed and worked out candidly and resolutely.
This second period of her artistic activity which took shape in the seventies was a synthesis of constructivism of her first period with a return to figurative art. The works of this period with their rough sketchy textures of oil color on a cement infrastructure and their modern minimal structure, together with the least application of line and color as well as design and figure emerged as plain agreeable charming still lives
In the third period of her works (from 1980 onwards) was a return to the imaginary basement of her grandmother with trunks of old forgotten outfits and textiles. During this period, by virtue of her perfect brilliant technique, a colorful pallet of warm shinny harmonious and balanced colors, she reproduced fine garments and textiles of silk and termeh designed with familiar flowers, fruit and home utensils in very gorgeous still lives.
In her collages which mark the fourth period of her work, Etemadi began a new venture. Her compositions now made up of cut photocopied pieces of her previous color pencil paintings glued on the surface of wide canvases with still more colorful and varied pallet appeard as a kind of artistic improvisation of fantastic free dancing outfits often breaking through the surface and the frame of the canvas as though refusing to be imprisoned in any limited fixed form.
Please visit my other blogs: Art Collector, Mythology, Marine Art, Portrait of a Lady, The Orientalist, Art of the Nude and The Canals of Venice, Middle East Artists, 365 Saints, 365 Days, and Biblical Icons, also visit my Boards on Pinterest
Images are copyright of their respective owners, assignees or others.
Some Images may be subject to copyright
I don't own any of these images - credit is always given when due unless
it is unknown to me. if I post your images without your permission, please tell
me.
I do not sell art, art prints, framed posters or reproductions. Ads are
shown only to compensate the hosting expenses.
If you enjoyed this post, please share with friends and family.
Thank you for visiting my blog and also for liking its posts and pages.
Please note that the content of this post primarily consists of articles
available from Wikipedia or other free sources online.
No comments:
Post a Comment