04 Works, The Art of War, Ana Dias's Native American Women Warriors' Headdress, with footnotes

After Ana Dias

Cherokee Ethnic Native Woman Headdress

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The Cherokee, North American Indians of Iroquoian lineage who constituted one of the largest politically integrated tribes at the time of European colonization of the Americas. Their name is derived from a Creek word meaning “people of different speech”; many prefer to be known as Keetoowah or Tsalagi. More on The Cherokee

One of the most recognizable symbols of Native American Indian culture is the traditional Indian headdress, also known as a feathered war bonnet. Although it is easily recognizable, it is important to note that not all Native American tribes created or wore headdresses.

After Ana Dias

Teepee Native Woman Warrior Headdress

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In many tribes, when members wear the headdress it is believed to bring the warrior both wisdom and powers. In some tribes the headdress is also known to be worn by males, which symbolizes a place of great respect within their tribe.

After Ana Dias

Taino Indian Warrior Queen Headdress

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The Taíno were a historic Indigenous peoples of the Caribbean. At the time of European contact in the late 15th century, they were the principal inhabitants of most of what is now Cuba, the Dominican Republic, Jamaica, Haiti, Puerto Rico, the Bahamas, and the northern Lesser Antilles. More on the Tiano

Traditionally, the Indian headdress is composed of a headband made from leather that was draped with tribal specific beading patterns, buffalo fur, and horns. The different design patterns in the headband also distinguish the identity of the tribe from which the individual is associated.

After Ana Dias

Native American Woman Warrior Headdress

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The headdress also consists of long feathers from an eagle and other birds to represent a courageous act displayed by a warrior, in most cases. The National Fish & Wildlife Service authorized use of eagle feathers for their religious use. More on Native American Indian headdress

Please visit my other blogs: Art Collector, Mythology, Marine Art, Portrait of a Lady, The Orientalist, Art of the Nude and The Canals of Venice, Middle East Artists, 365 Saints, 365 Days, and Biblical Icons, also visit my Boards on Pinterest and deviantart

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04 Paintings, MODERN & CONTEMPORARY MIDDLE EASTERN ART, Manal Deeb art, With Footnotes # 8

Manal Deeb

Cordoba

Acrylic painting on canvas

24" X 30"

Private collection

Manal Deeb

Thoughtful

Acrylic painting on canvas

24" X 30"

Private collection

Manal Deeb

Spirit

Acrylic painting on canvas

18" X 24"

Private collection

Manal Deeb

Ancestors

16" x 24"

Private collection

Manal Deeb is a Palestinian-American artist who was born in Ramallah, Palestine, and currently resides in the Washington DC area, USA. 

Manal studied Studio Arts at the University of Illinois in Chicago, and got her Bachelor Degree in Interdisciplinary Studies with concentration in Psychology of Art from George Mason University in Virginia.  She is a resident artist at the Workhouse Arts Center in Lorton, VA USA.

Manal has had solo and group exhibits in cities across the United States. Her work has also been exhibited internationally in Paris, Rome, and Cairo; London and Brighton, England; Delhi, India; Doha, Qatar; Amman, Jordan; Islamabad, Pakistan; and Malaga, Spain.

Her mission and main subjects are: humanity, Palestine, the Palestinian people, global cultures, creating bridges between religions, Arab women, and identity. More on Manal Deeb

Manal Deebs artwork is available for sale at Ygalleri

Please visit my other blogs: Art Collector, Mythology, Marine Art, Portrait of a Lady, The Orientalist, Art of the Nude and The Canals of Venice, Middle East Artists, 365 Saints, 365 Days, and Biblical Icons, also visit my Boards on Pinterest and deviantart

Images are copyright of their respective owners, assignees or others. Some Images may be subject to copyright

I don't own any of these images - credit is always given when due unless it is unknown to me. if I post your images without your permission, please tell me.

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01 Paintings by the Orientalist Artists in the Nineteenth-Century, with footnotes, 25

Frederick Arthur Bridgman, 1847 - 1928, AMERICAN

ALGERIAN SPAHI ON HORSEBACK, c. 1900

Watercolour and pencil on paper

41 by 30cm., 16 by 11¾in.

Private collection

Spahis were light cavalry regiments of the French army recruited primarily from the indigenous populations of Algeria, Tunisia and Morocco. 

Following the French occupation of Algiers in 1830, detachments of locally recruited irregular horsemen were attached to the regiments of light cavalry assigned to North African service. These auxiliaries were designated as chasseurs spahis. In 1834 they were organised into four squadrons of regular spahis. In 1841 the 14 squadrons by then in existence were brought together in a single corps of spahis. Finally, in 1845 three separate Spahi regiments were created: the 1st of Algiers; the 2nd of Oran and the 3rd of Constantine.

The spahi regiments saw extensive service in the French conquest of Algeria, in the Franco-Prussian War, in Tonkin towards the end of the Sino-French War (1885), in the occupation of Morocco and Syria, and in both World Wars. A detachment of Spahis served as the personal escort of Marshal Jacques Leroy de Saint Arnaud in the Crimean War. A contingent of Spahis also participated in the North China campaign of 1860. During the Franco-Prussian War of 1870-71 one detached squadrons of Spahis formed part of the forces defending Paris, while a provisional regiment comprising three squadrons was attached to the Army of the Loire. A serious rising against French rule in Algeria during 1871–72 was sparked off by the mutiny of a squadron of Spahis who had been ordered to France to reinforce those units already there.  More on Spahis

Frederick Arthur Bridgman (November 10, 1847 - 1928) was an American artist, born in Tuskegee, Alabama. The son of a physician, Bridgman would become one of the United States' most well-known and well-regarded painters and become known as one of the world's most talented "Orientalist" painters. He began as a draughtsman in New York City, for the American Bank Note Company in 1864-1865, and studied art in the same years at the Brooklyn Art Association and at the National Academy of Design; but he went to Paris in 1866 and became a pupil of Jean-Leon Gerome. Paris then became his headquarters. A trip to Egypt in 1873-1874 resulted in pictures of the East that attracted immediate attention, and his large and important composition, The Funeral Procession of a Mummy on the Nile, in the Paris Salon (1877), bought by James Gordon Bennett, brought him the Cross of the Legion of Honor. Other paintings by him were An American Circus in Normandy, Procession of the Bull Apis (now in the Corcoran Gallery of Art, Washington, D.C.), and a Rumanian Lady (in the Temple collection, Philadelphia, Pennsylvania). More on Frederick Arthur Bridgman

Please visit my other blogs: Art Collector, Mythology, Marine Art, Portrait of a Lady, The Orientalist, Art of the Nude and The Canals of Venice, Middle East Artists, 365 Saints, 365 Days, and Biblical Icons, also visit my Boards on Pinterest and deviantart

Images are copyright of their respective owners, assignees or others. Some Images may be subject to copyright

I don't own any of these images - credit is always given when due unless it is unknown to me. if I post your images without your permission, please tell me.

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01 Paintings by the Orientalist Artists in the Nineteenth-Century, with footnotes, 27

Frederick Arthur Bridgman, 1847 - 1928, AMERICAN

WOMEN OF BLIDAH ON THE DAY OF THE PROPHET, c. 1900

Oil on canvas

66 by 54.5cm., 26 by 21½in.

Private collection

Estimated for US$80,000 - US$120,000 in May 2010

The Day of the Prophet, known as Mawlid, is celebrated on either the twelfth or seventeenth day of Rabia al Awal, the third month of the Muslim calendar, roughly coinciding with January. Mawlid also provided a framework for female involvement. Women often participated in the celebrations outside the mosque rituals. The present work shows a congregation of women dressed in their ritual drapery. It was painted a year after Bridgman's larger work of the same subject, depicting Algerian women burning candles in the cemetry of Oued El-Kebir outside Blidah, in Algeria. More on The Day of the Prophet

Blidah , today Blida, is the name of a city in Algeria. It is the capital of the province of the same name and is also called Ville des Roses ("City of Roses").

The city is located about 40 km south of the Algerian capital Algiers in a valley of Tellatlas. The coast of the Mediterranean is about 30 km away. In 1838 , Blidah was captured by French troops who set up a garrison there. In 1825 and 1867 , the city was destroyed by earthquakes. Today there is a university ( Université Saad Dahlab Blida ). More on Blidah

Frederick Arthur Bridgman (November 10, 1847 - 1928) was an American artist, born in Tuskegee, Alabama. The son of a physician, Bridgman would become one of the United States' most well-known and well-regarded painters and become known as one of the world's most talented "Orientalist" painters. He began as a draughtsman in New York City, for the American Bank Note Company in 1864-1865, and studied art in the same years at the Brooklyn Art Association and at the National Academy of Design; but he went to Paris in 1866 and became a pupil of Jean-Leon Gerome. Paris then became his headquarters. A trip to Egypt in 1873-1874 resulted in pictures of the East that attracted immediate attention, and his large and important composition, The Funeral Procession of a Mummy on the Nile, in the Paris Salon (1877), bought by James Gordon Bennett, brought him the Cross of the Legion of Honor. Other paintings by him were An American Circus in Normandy, Procession of the Bull Apis (now in the Corcoran Gallery of Art, Washington, D.C.), and a Rumanian Lady (in the Temple collection, Philadelphia, Pennsylvania). More on Frederick Arthur Bridgman

Please visit my other blogs: Art Collector, Mythology, Marine Art, Portrait of a Lady, The Orientalist, Art of the Nude and The Canals of Venice, Middle East Artists, 365 Saints, 365 Days, and Biblical Icons, also visit my Boards on Pinterest

Images are copyright of their respective owners, assignees or others. Some Images may be subject to copyright

I don't own any of these images - credit is always given when due unless it is unknown to me. if I post your images without your permission, please tell me.

I do not sell art, art prints, framed posters or reproductions. Ads are shown only to compensate the hosting expenses.

If you enjoyed this post, please share with friends and family.

Thank you for visiting my blog and also for liking its posts and pages.

Please note that the content of this post primarily consists of articles available from Wikipedia or other free sources online.