01 Work The Artist's Studio, Eduardo Sívori's In the workshop, with Footnotes #90

Eduardo Sívori (1847–1918

In the workshop, c. 1891

Oil on canvas

132 x 90 cm,

National Museum of Fine Arts

Eduardo Sívori (October 13, 1847 – June 5, 1918) was an Argentine artist widely regarded as his country's first realist painter.

Sívori ha arbored artistic leanings during childhood that, for family reasons, went unfulfilled. Asked by his father to join him on a business trip to Paris in 1874, Sívori took the opportunity to frequent Parisian ateliers. Returning to Buenos Aires, the experience drew him to other local painters, including his brother, Alejandro, José Aguyari and Eduardo Schiaffino, who would later become one of Argentina's best-known symbolist painters. Together, they founded the Society for the Promotion of Fine Arts in 1875, an important early milestone in the development of artisan guilds in Argentina.

He returned to Paris in 1882, eventually earning an apprenticeship in the prestigious Jean Paul Laurens atelier, following which he created El despertar de la criada ("Waking of the Servant"), perhaps his best remembered work. Increasingly renowned, his travels took him to the United States, where he was awarded a second gold medal at the St. Louis Exposition of 1884 for Dolce far niente.

Sívori thereafter focused his efforts on commercial art, creating portraits and landscapes for clients. His bucolic landscapes soon earned him renown as the "portraiteur of the pampas." These relationships helped result in the designation of his guild as an official entity within the National Academy of Fine Arts in 1905, of which he was named president in 1910. Eduardo Sívori died in Buenos Aires in 1918 at the age of seventy, and was honored posthumously with the naming of the new Eduardo Sívori Museum in his honor, in 1938. More on Eduardo Sívori

Please visit my other blogs: Art Collector, Mythology, Marine Art, Portrait of a Lady, The Orientalist, Art of the Nude and The Canals of Venice, Middle East Artists, 365 Saints, 365 Days, and Biblical Icons, also visit my Boards on Pinterest and deviantart

Images are copyright of their respective owners, assignees or others. Some Images may be subject to copyright

I don't own any of these images - credit is always given when due unless it is unknown to me. if I post your images without your permission, please tell me.

I do not sell art, art prints, framed posters or reproductions. Ads are shown only to compensate the hosting expenses.

If you enjoyed this post, please share with friends and family.

Thank you for visiting my blog and also for liking its posts and pages.

Please note that the content of this post primarily consists of articles available from Wikipedia or other free sources online.

03 Works, Robert McGinnis' interpretations of Richard Scott Prather's novels Adrienne, Renee and Rose Garland, with Footnotes #83

Robert McGinnisis

Detail; Cover art from the paperback novel "Adrienne" by Richard S. Prather

Digital print on stretched canvas

29 x 14 x 1 in

Private collection

Robert McGinnisis

Cover art from the paperback novel "Adrienne" by Richard S. Prather

Digital print on stretched canvas

29 x 14 x 1 in

Private collection

Robert McGinnisis

Cover art from the paperback novel "Renee" by Richard S. Prather

Digital print on stretched canvas

22 x 30 x 1 in

Private collection

Robert E. McGinnis

Rose Garland, c. 2000

Mixed media on board

19 1/2 x 15 5/8 inches 

Private collection

Richard Scott Prather (September 9, 1921 – February 14, 2007) was an American mystery novelist, best known for creating the "Shell Scott" series. He also wrote under the pseudonyms David Knight and Douglas Ring.

Prather was born in Santa Ana, California. He served in the United States Merchant Marine during World War II, from 1942 through the end of the war, in 1945. That year he began working as a civilian chief clerk of surplus property at March Air Force Base in Riverside, California. He left that job to become a full-time writer in 1949. The first Shell Scott mystery, Case of the Vanishing Beauty, was published in 1950. It would be the start of a long series that numbered more than three dozen titles featuring the Shell Scott character.

At Prather's death in 2007, he had completed but not published his last Shell Scott Mystery. His final novel, The Death Gods, was published October 2011, in print and ebook formats by Pendleton Artists, with permission of the Richard S. Prather Estate and Linda Pendleton. More on Richard Scott Prather

Robert Edward McGinnis (born February 3, 1926) is an American artist and illustrator. McGinnis is known for his illustrations of more than 1,200 paperback book covers, and over 40 movie posters, including Breakfast at Tiffany's (his first film poster assignment) Barbarella, and several James Bond and Matt Helm films

McGinnis became an apprentice at Walt Disney Studios, then studied fine art at Ohio State University. After wartime service in the Merchant Marine he entered advertising and a chance meeting with Mitchell Hooks in 1958 led him to be introduced to Dell Publishing began a career drawing a variety of paperback covers for books written by such authors as Donald Westlake (writing as Richard Stark), Edward S. Aarons, Erle Stanley Gardner, Richard S. Prather, and the Michael Shayne and Carter Brown series.

McGinnis later did artwork for Ladies' Home Journal, Woman's Home Companion, Good Housekeeping, TIME, Argosy, Guideposts, and The Saturday Evening Post.

McGinnis's attention to detail was such that when he was assigned to do the artwork for Arabesque he requested Sophia Loren's tiger stripe dress be sent for him for a model to wear so he could get the right appearance.

In 1985 McGinnis was awarded the title of "Romantic Artist of the Year" by Romantic Times magazine for his many romance novel paperback covers.

He is a member of the Society of Illustrators Hall of Fame. McGinnis is the subject of a documentary film, Robert McGinnis: Painting the Last Rose of Summer, by Paul Jilbert. More on Robert Edward McGinnis

Please visit my other blogs: Art Collector, Mythology, Marine Art, Portrait of a Lady, The Orientalist, Art of the Nude and The Canals of Venice, Middle East Artists, 365 Saints, 365 Days, and Biblical Icons, also visit my Boards on Pinterest

Images are copyright of their respective owners, assignees or others. Some Images may be subject to copyright

I don't own any of these images - credit is always given when due unless it is unknown to me. if I post your images without your permission, please tell me.

I do not sell art, art prints, framed posters or reproductions. Ads are shown only to compensate the hosting expenses.

If you enjoyed this post, please share with friends and family.

Thank you for visiting my blog and also for liking its posts and pages.

Please note that the content of this post primarily consists of articles available from Wikipedia or other free sources online.

04 Photographs, Albert Watson's Lisa Taylor, Nina, Monica Gripman and Heloise, 1977, With Footnotes #82

Albert Watson (Scottish, b. 1942)

Detail; Lisa Taylor, New York, 1977

Gelatin silver print on Agfa paper

12 x 10 inches (30.5 x 25.4 cm)

Private collection

Albert Watson (Scottish, b. 1942)

Lisa Taylor, New York, c. 1977

Gelatin silver print on Agfa paper

12 x 10 inches (30.5 x 25.4 cm)

Private collection

Lisa Taylor is a model and actress from New York City. In the 1970s, she was a frequent presence in the pages of Vogue and appeared on the cover four times. She was the face of brands like Calvin Klein, Dior, and Oscar de la Renta. She is known for her roles in Eyes of Laura Mars (1978), Where the Buffalo Roam (1980) and Windy City (1984).

Taylor was born 1951 at Oyster Bay, New York. She quit her studies after a short stint at Pine Manor Junior College in Boston. Later she moved to New York, studied dance briefly.

Taylor never wanted to be a model, a job she had called "prissy and stupid", but wanted to finance dance classes so rather than being discovered she approached star maker Eileen Ford directly and began working immediately.

A staple of the late 70s and early 80s model scene alongside the likes of Cheryl Tiegs and Christie Brinkley, she retired from the business but re-emerged in 1992 when Calvin Klein made her, at 40, the new look of his clothing line.

She graduated from the Purnell School and attended Pine Manor College.

Taylor signed with the Ford modeling agency in 1971 at the age of 19. One of her jobs was the cover of the college issue of Mademoiselle.

In 1982, she quit her modelling career and moved to West Coast of the United States to get rid of a debilitating drug and alcohol habit.

Taylor is very vocal about the use of drugs in the fashion industry. More on Lisa Taylor

Albert Watson (Scottish, b. 1942)

Nina, New York, c. 1977

Gelatin silver print on Agfa paper

12 x 10 inches (30.5 x 25.4 cm)

Private collection

I was unable to identify Nina!

Albert Watson

Monica Gripman

Gelatin silver print on Agfa paper

Height: 55.91 in (142 cm), Width: 42.13 in (107 cm)

Private collection

I couldn't find any background information on Monica Gripman!

Albert Watson (Scottish, b. 1942)

Heloise, New York, c. 1977

Gelatin silver print on Agfa paper

12 x 10 inches (30.5 x 25.4 cm)

Private collection

Albert Watson OBE (born 1942) is a Scottish fashion, celebrity and art photographer. He has shot over 100 covers of Vogue and 40 covers of Rolling Stone magazine since the mid-1970s, and has created major advertising campaigns for clients such as Prada, Chanel and Levis. Watson has also taken some well-known photographs, from the portrait of Steve Jobs that appeared on the cover of his biography, a photo of Alfred Hitchcock holding a plucked goose, and a portrait of a nude Kate Moss taken on her 19th birthday.

Watson's prints of his photography are exhibited in galleries and museums worldwide. Photo District News named him one of the 20 most influential photographers of all time, along with Richard Avedon and Irving Penn, among others. Watson has won numerous honors, including a Lucie Award, a Grammy Award, the Hasselblad Masters Award and three ANDY Awards. He was awarded The Royal Photographic Society's Centenary Medal and Honorary Fellowship in recognition of a sustained, significant contribution to the art of photography in 2010. Queen Elizabeth II awarded Watson an Order of the British Empire in June 2015 for 'services to photography'. More on Albert Watson

Please visit my other blogs: Art Collector, Mythology, Marine Art, Portrait of a Lady, The Orientalist, Art of the Nude and The Canals of Venice, Middle East Artists, 365 Saints and 365 Days, also visit my Boards on Pinterest

Images are copyright of their respective owners, assignees or others. Some Images may be subject to copyright

I don't own any of these images - credit is always given when due unless it is unknown to me. if I post your images without your permission, please tell me.

I do not sell art, art prints, framed posters or reproductions. Ads are shown only to compensate the hosting expenses.

If you enjoyed this post, please share with friends and family.

Thank you for visiting my blog and also for liking its posts and pages.

Please note that the content of this post primarily consists of articles available from Wikipedia or other free sources online.

01 Painting by the Orientalist Artists in the Nineteenth-Century, with footnotes, 39

Frederick Arthur Bridgman, 1847 - 1928, AMERICAN

DETAIL, ARAB WOMEN ON A ROOFTOP, ALGIERS BEYOND

Oil on canvas

17 7/8 by 30 3/4 in., 45.4 by 78.1 cm

Private collection

"This is a theme that Bridgman became fascinated with in the mid-1880s, exploring the light effects of the sun on the rooftops of Algiers buildings for many years thereafter." Ilene Susan Fort, Curator, American Art, Los Angeles County Museum of Art

Frederick Arthur Bridgman, 1847 - 1928, AMERICAN

ARAB WOMEN ON A ROOFTOP, ALGIERS BEYOND

Oil on canvas

17 7/8 by 30 3/4 in., 45.4 by 78.1 cm

Private collection

Sold for GBP 9,430 in Nov 1994

Sold for 62,500 USD in May 2018

Frederick Arthur Bridgman (November 10, 1847 - 1928) was an American artist, born in Tuskegee, Alabama. The son of a physician, Bridgman would become one of the United States' most well-known and well-regarded painters and become known as one of the world's most talented "Orientalist" painters. He began as a draughtsman in New York City, for the American Bank Note Company in 1864-1865, and studied art in the same years at the Brooklyn Art Association and at the National Academy of Design; but he went to Paris in 1866 and became a pupil of Jean-Leon Gerome. Paris then became his headquarters. A trip to Egypt in 1873-1874 resulted in pictures of the East that attracted immediate attention, and his large and important composition, The Funeral Procession of a Mummy on the Nile, in the Paris Salon (1877), bought by James Gordon Bennett, brought him the Cross of the Legion of Honor. Other paintings by him were An American Circus in Normandy, Procession of the Bull Apis (now in the Corcoran Gallery of Art, Washington, D.C.), and a Rumanian Lady (in the Temple collection, Philadelphia, Pennsylvania). More on Frederick Arthur Bridgman

Please visit my other blogs: Art Collector, Mythology, Marine Art, Portrait of a Lady, The Orientalist, Art of the Nude and The Canals of Venice, Middle East Artists, 365 Saints, 365 Days, and Biblical Icons, also visit my Boards on Pinterest

Images are copyright of their respective owners, assignees or others. Some Images may be subject to copyright

I don't own any of these images - credit is always given when due unless it is unknown to me. if I post your images without your permission, please tell me.

I do not sell art, art prints, framed posters or reproductions. Ads are shown only to compensate the hosting expenses.

If you enjoyed this post, please share with friends and family.

Thank you for visiting my blog and also for liking its posts and pages.

Please note that the content of this post primarily consists of articles available from Wikipedia or other free sources online.

01 Paintings by the Orientalist Artists in the Nineteenth-Century, with footnotes, 27

Frederick Arthur Bridgman, 1847 - 1928, AMERICAN

WOMEN OF BLIDAH ON THE DAY OF THE PROPHET, c. 1900

Oil on canvas

66 by 54.5cm., 26 by 21½in.

Private collection

Estimated for US$80,000 - US$120,000 in May 2010

The Day of the Prophet, known as Mawlid, is celebrated on either the twelfth or seventeenth day of Rabia al Awal, the third month of the Muslim calendar, roughly coinciding with January. Mawlid also provided a framework for female involvement. Women often participated in the celebrations outside the mosque rituals. The present work shows a congregation of women dressed in their ritual drapery. It was painted a year after Bridgman's larger work of the same subject, depicting Algerian women burning candles in the cemetry of Oued El-Kebir outside Blidah, in Algeria. More on The Day of the Prophet

Blidah , today Blida, is the name of a city in Algeria. It is the capital of the province of the same name and is also called Ville des Roses ("City of Roses").

The city is located about 40 km south of the Algerian capital Algiers in a valley of Tellatlas. The coast of the Mediterranean is about 30 km away. In 1838 , Blidah was captured by French troops who set up a garrison there. In 1825 and 1867 , the city was destroyed by earthquakes. Today there is a university ( Université Saad Dahlab Blida ). More on Blidah

Frederick Arthur Bridgman (November 10, 1847 - 1928) was an American artist, born in Tuskegee, Alabama. The son of a physician, Bridgman would become one of the United States' most well-known and well-regarded painters and become known as one of the world's most talented "Orientalist" painters. He began as a draughtsman in New York City, for the American Bank Note Company in 1864-1865, and studied art in the same years at the Brooklyn Art Association and at the National Academy of Design; but he went to Paris in 1866 and became a pupil of Jean-Leon Gerome. Paris then became his headquarters. A trip to Egypt in 1873-1874 resulted in pictures of the East that attracted immediate attention, and his large and important composition, The Funeral Procession of a Mummy on the Nile, in the Paris Salon (1877), bought by James Gordon Bennett, brought him the Cross of the Legion of Honor. Other paintings by him were An American Circus in Normandy, Procession of the Bull Apis (now in the Corcoran Gallery of Art, Washington, D.C.), and a Rumanian Lady (in the Temple collection, Philadelphia, Pennsylvania). More on Frederick Arthur Bridgman

Please visit my other blogs: Art Collector, Mythology, Marine Art, Portrait of a Lady, The Orientalist, Art of the Nude and The Canals of Venice, Middle East Artists, 365 Saints, 365 Days, and Biblical Icons, also visit my Boards on Pinterest

Images are copyright of their respective owners, assignees or others. Some Images may be subject to copyright

I don't own any of these images - credit is always given when due unless it is unknown to me. if I post your images without your permission, please tell me.

I do not sell art, art prints, framed posters or reproductions. Ads are shown only to compensate the hosting expenses.

If you enjoyed this post, please share with friends and family.

Thank you for visiting my blog and also for liking its posts and pages.

Please note that the content of this post primarily consists of articles available from Wikipedia or other free sources online.

01 Paintings, The amorous game, Part 19 - With Footnotes

Taeil Kim, South Korea

Waiting

Oil on Canvas.

20 H x 16 W x 0.7 in

Private collection

Taeil Kim begins his art by thinking, "how will I observe and re-create the figure?" Influenced by his observations of peoples' daily interactions with nature, he is able to create moving and unique portraits. Kim is heavily influenced by the work of such masters as Rembrandt and 19th Century Impressionism. These influences are reflected in the expressive brushwork and heavy use of Chiaroscuro he employs to add drama and depth to his paintings. The result is a beautiful and cohesive body of work. Kim received his MFA in Fine Art, Illustration from the Academy of Art University in 2012. More on Taeil Kim

Please visit my other blogs: Art Collector, Mythology, Marine Art, and The Canals of Venice

Images are copyright of their respective owners, assignees or others. Some Images may be subject to copyright

I don't own any of these images - credit is always given when due unless it is unknown to me. if I post your images without your permission, please tell me.

I do not sell art, art prints, framed posters or reproductions. Ads are shown only to compensate the hosting expenses.

If you enjoyed this post, please share with friends and family.

Thank you for visiting my blog and also for liking its posts and pages.