Showing posts with label Eanger Irving Couse. Show all posts
Showing posts with label Eanger Irving Couse. Show all posts

03 Works, Eanger Irving Couse's Mourning the Chief of the Tribe, with 2 Studies, with footnotes

Eanger Irving Couse (American, 1866-1936)
Study for Mourning the Chief of the Tribe, c. 1893
Titled "The Final Song" 
Pen and ink on illustration board 
15.5 x 19.875 (in) 
Private collection

Eanger Irving Couse (American, 1866-1936)
Mourning the Chief of the Tribe (preparatory sketch), 1891-1892
Pencil on paper
7 x 11-1/2 inches (17.8 x 29.2 cm)
Private collection

This sketch was made as a preparatory drawing for Couse's oil painting Mourning the Chief of the Tribe, which was exhibited at the Paris Salon of 1893.

Eanger Irving Couse
Mourning the Tribal Chief / Mourning Her Brave
I have no further description, at this time

Eanger Irving Couse was an American painter best known for his realistic depictions of Native Americans and landscapes of the Southwestern United States. Born on September 3, 1866 in Saginaw, MI, Couse went on to study at the Art Institute of Chicago and later under William-Adolphe Bougereau at the Académie Julian in Paris. Upon his return to the United States from France after nearly 10 years abroad, he was introduced to the landscapes of the West while visiting his father-in-law’s sheep ranch in Oregon. In 1902, his friends Ernest Blumenschein and Joseph Henry Sharp invited Couse to visit Taos to paint. Over the following years, he visited each summer, spending the rest of his time in New York. Between 1922 and 1934, his works were used by the Santa Fe Railway as advertisements to draw tourists from the Eastern states. The artist died on April 26, 1936 in Albuquerque, NM. Today, Couse’s works are held in the collections of the Smithsonian American Art Museum in Washington, D.C., the Phoenix Art Museum, and the Fred Jones Jr. Museum of Art at the University of Oklahoma, among others. More on Eanger Irving Couse




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7 Works, American Western Paintings

George de Forest Brush
1855 - 1941
[THE INDIAN AND THE LILY]
Photogravure
framed 32 by 30 1/4 inches
(81.3 by 76.8 cm)

Eanger Irving Couse
1866 - 1936
THE FLUTE PLAYER (INDIAN PLAYING FLUTE)
signed E.I. Couse (lower left); also inscribed The Flute Player/E.I. Couse on the reverse
oil on canvas
18 1/8 by 22 1/8 inches
(46 by 56.2 cm)
Painted circa 1907.

Joseph Henry Sharp
1859 - 1953
WINTER ON THE CROW RESERVATION (CROW RESERVATION IN WINTER)
signed J.H. Sharp and dated 1904 (lower left)
oil on canvas
18 by 27 inches
(45.7 by 68.6 cm)

Olaf Carl Seltzer
1877 - 1957
THE SENTINEL
signed O.C. Seltzer (lower right)
oil on canvas
14 1/8 by 20 3/8 inches
(35.9 by 51.8 cm)

Bert Geer Phillips
1868 - 1956
THE RABBIT HUNTERS
signed Phillips (lower right)
oil on board
4 by 6 inches
(10.2 by 15.2 cm)

Edgar Alwin Payne
1882 - 1947
NAVAJOS ON HORSEBACK
signed Edgar Payne (lower right)
oil on canvas
28 by 34 inches
(71.1 by 86.4 cm)
Painted circa 1930.

Fremont F. Ellis
1897 - 1985
NAVAJO COUNTRY (NAVAJOS ON HORSEBACK)
inscribed Navajo Country on the reverse
oil on canvas
28 by 36 inches
(71.1 by 91.4 cm)
Painted circa the 1920s.

Acknowledgement: Sothebey's