The central challenge of history painting lay in selecting a particular subject that could engage the heart and instruct the mind. Grand settings and symbolic accessories proved the artist’s grasp of perspective depth and still-life draftsmanship. Compositions and color schemes had to be carefully conceived to accentuate the principal characters and to clarify the meanings of the incidents. National Gallery
01 Paintings, The amorous game, Part 46 - With Footnotes
01 Painting, Streets of Paris, Charles Cobelle's View of Paris 8, Part 44 - With Footnotes
Cobelle received his Bachelor's and Master's Degrees from the University of Munich and continued his studies at the École des Beaux-Arts in Paris. Much more influential in his development, however, were his private studies with Marc Chagall and his apprenticeship in the studio of Raoul Dufy in Menton on the Riviera.
Cobelle lived and painted in Paris until the late 1920s and established himself within the great tradition of the School of Paris. In the late 1920s, Cobelle moved to the United States, where his paintings were immediately sought after by galleries and private collectors alike. Cobelle became a U.S. citizen before the outbreak of World War II.
By the 1950s, spurred by the commercial success of his mentor, Dufy, Cobelle had achieved phenomenal success commercially with his Parisian-influenced style. Much like contemporary artists and designers at the time, his designs graced a number of pottery patterns for various pottery companies.
In addition to creating advertising illustrations for everything from hosiery to French perfume, Cobelle created a number of murals throughout the country in noteworthy public locations such as The Painted Desert Room of the Desert Inn in Las Vegas, the Mark Hopkins Hotel in San Francisco, Neiman-Marcus in Dallas and on the cruise ships of the Holland America Line. More on Charles Cobelle
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01 Paintings, MODERN & CONTEMPORARY MIDDLE EASTERN ART, With Footnotes - 2r
Private collection
Mania Akbari (born 1974) is an internationally acclaimed Iranian filmmaker, actress, artist and writer whose works mostly deal with themes of sexual identity, women, marriage, abortion, infidelity and lesbianism. Her style, unlike the long tradition of melodrama in Iranian cinema, is rooted in modern visual arts and the avant-garde. Akbari, because of the themes discussed in her films and her opposition to censorship, is considered as one of the most controversial filmmakers in Iran. As an actress, she is probably best known for her role on Abbas Kiarostami's Ten. More on Mania Akbari
01 Painting, Streets of Paris, by the artists of the time, Part 43 - With Footnotes
01 Painting, MODERN & CONTEMPORARY MIDDLE EASTERN ART, With Footnotes - 2q
Private collection
Laila Shawa (Born Gaza 1940) is a Palestinian artist. Her work has been described as reflecting a view of the politics of her country highlighting perceived injustices and persecution. Often her work uses photographs that are used as the base for silkscreen printing. Her work has been internationally exhibited and has work on display in many public (e.g. The British Museum) and private collections.
In 2012 to go alongside the AKA Peace Exhibition at the ICA Art Below showcased selected works from the AKA Peace series on the London Underground including Shawa's. "AKA Peace" originally conceived by photographer Bran Symondson and now curated by artist Jake Chapman, is an exhibition of new works made specially for The Peace One Day Project 2012, bringing together a group of Contemporary Artists, all of whom agreed to transform a decommissioned AK-47 assault rifle, refashioning into artworks. More on Laila Shawa
01 Paintings, MODERN & CONTEMPORARY MIDDLE EASTERN ART, With Footnotes - 2p
Private collection
Sista: is a woman who carries herself with pride.
Hassan Hajjaj (b. Larache, Morocco in 1961) is a contemporary artist who lives and works between London, UK and Marrakech, Morocco, and is known as the “Andy Warhol of Marrakech.”
Hajjaj's work is in the collections of the Brooklyn Museum, New York; the British Museum, London; the Nasher Museum of Art, Duke University, Durham, NC; the Newark Museum, New Jersey; Los Angeles Museum of Contemporary Art, Los Angeles; the Victoria & Albert Museum, London; the Farjam Collection, Dubai; Institut des Cultures d’Islam, Paris; Kamel Lazaar Foundation, Tunisia; and Virginia Museum of Fine Art, Richmond, VA.
Hajjaj was the winner of the 2011 Sovereign Middle East and African Art Prize and was shortlisted for Victoria and Albert Museum's Jameel Prize in 2009. In 2013, Rose Issa Projects published a monograph of the artist exploring his upbringing in Morocco and London, his experiences in fashion and interior design, and his adventures in the music industry influence the vibrant colours, joyful spirit, and visual rhythm of his highly sought-after images.
Hajjaj's first feature-length film, Karima: A Day in the Life of a Henna Girl, premiered at the Los Angeles County Museum of Art in May 2015. The film takes viewers into the world of one Hajjaj’s most iconic series, Kesh Angels, depicting the henna girls of Marrakesh. The film will be subsequently shown at Art Basel in Basel, Switzerland in June 2015, curated by Cairo-based film curator and lecturer Maxa Zoller. More on Hassan Hajjaj