The central challenge of history painting lay in selecting a particular subject that could engage the heart and instruct the mind. Grand settings and symbolic accessories proved the artist’s grasp of perspective depth and still-life draftsmanship. Compositions and color schemes had to be carefully conceived to accentuate the principal characters and to clarify the meanings of the incidents. National Gallery
01 Painting, The amorous game, Part 41 - With Footnotes
01 Paintings, The amorous game, Part 43 - With Footnotes
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01 Painting by the Orientalist Artists of the Nineteenth-Century, with footnotes, 36
Ferdinand Bol was first an apprentice of Jacob Cuyp in his hometown and/or of Abraham Bloemaert in Utrecht. After 1630 he studied with Rembrandt, living in his house in Sint Antoniesbreestraat. In 1641 Bol started his own studio.
In 1652 he became a burgher of Amsterdam, and in 1653 he married Elisabeth Dell, whose father held positions with the Admiralty of Amsterdam and the wine merchants' guild, both institutions that later gave commissions to the artist. Within a few years (1655) he became the head of the guild and received orders to deliver two chimney pieces for rooms in the new town hall designed by Jacob van Campen, and four more for the Admiralty of Amsterdam.
Around this time, Bol was a popular and successful painter. His palette had lightened, his figures possessed greater elegance, and by the middle of the decade he was receiving more official commissions than any other artist in Amsterdam.
Probably his best known painting is a portrait of Elisabeth Bas, the wife of the naval officer Joachim Swartenhondt and an innkeeper near the Dam square. This and many other of his paintings would in the 19th century be falsely attributed to Rembrandt. More on Ferdinand Bol
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01 Paintings, The amorous game, Part 40 - With Footnotes
01 Paintings, MODERN & CONTEMPORARY MIDDLE EASTERN ART, With Footnotes - 2b
Faeq Hassan was born in Baghdad in 1914 and died in 1992. He graduated from the École des Beaux-Arts, Paris in 1938. He founded the Painting Department at the Fine Arts Institute in 1939-1940. Founded the Pioneers Group (or S.P) in 1950. He participated in its exhibitions until 1967 when he joined in founding the Corner Group and participated in its first exhibition. Took part in the Friends of Art Society in 1943 and 1946. Participated in the Avicenna Exhibition in Baghdad in 1952. Organized a number of one - man exhibitions in Baghdad, in 1962-1967 and 1971. Participated in most national exhibitions outside Iraq. Joined nine artists in the Iraq Art Exhibition in Beirut in 1965. Member of the Iraqi Artists Society. More on Faeq Hassan
01 Painting , Orientalist Art, François Schommer's The beautiful dancer, with footnotes, #24
Schommer exhibited at the Paris Salons and at the Salons of French Artists from 1870 to 1935 2 , 1 . In 1878, he obtained the first prize of Rome with his canvas Caesar Augustus at the tomb of Alexander . He then received the silver medal at the Paris Universal Exhibition of 1889 , then at that of 1900. Appointed professor at the Paris School of Fine Artsin 1910 he became a member of the Institute in 1924.
He was appointed Knight of the Legion of Honor in 1890, before being promoted to Officer of the same order.
François Schommer is considered a great artist by the Mariani Album and by the Revue de l'Art which notes that Schommer is "a man of beautiful culture and whose friendships for half a century were among the elite of the academic art and Parisian society."
Schommer is best known as a painter of history , religious subjects and genre scenes . He also made watercolors , the drawings , the illustrations and decorations. He has decorated the ceilings of the new Sorbonne , the City Hall of Tours, the School of Fine Arts in Paris , and has made two panels - Alceste and Rodrigue - for the foyer of the Odeon Theater. in Paris
He is buried in Paris at the Père-Lachaise cemetery. More on François Schommer
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01 Paintings, The amorous game, Part 36 - With Footnotes
The varied landscapes are reoccurring theme in Jorn’s works. He is currently working on a Series of impressionist Scene’s “The Road Series” — Figurative, Coastal, Landscapes, Jazz, Captured Moments. Indeed,though he has a signature characteristic elegance of style, each of his paintings are distinct from one another, as are the various locales, people,and moments that inspire them.
Working with palette knife and brush Jorn is able to evoke serenity and stillness in his works, simultaneously creating liveiness and motion. His striking use of color, much of it pure and thickly layered, exalts and even immortalizes what he chooses to depict. Jorn is frequently referred to as a California Impressionist, yet his work possesses a singular style in contrast to his French counterparts, displays an engaging sense of balance. More on Jorn Fox
02 Paintings, The amorous game, Part 39 - With Footnotes
Private collection
01 Paintings, The amorous game, Part 37 - With Footnotes
He was a resident of Naples. In 1887 at Naples, he exhibited: a terra-cotta Amphora; in 1880 at Turin he exhibited some paintings: Ritorno and Ricordi del ballo; in 1881 at Milan, he exhibited I primi bocconi; Zobeide, bello studio di testa; Clorinda, painted on maiolica; at Rome in 1883: Diversi amori; Prima di un convito : Scala a Posillipo, a Turin, in 1884: Amore e Veduta a Posillipo. He also completed many portraits. He also exhibited in 1874 at Naples: Un tunisino; in 1875, La pesca and in 1876, Lo scacciapensieri. He also participated in the 1988 Esposizione Italiana at London. More on Achille Mollica