Installation view of The Space Between by Mahmoud Merjan (image courtesy Galerie Tanit and Kevork Mourad)
BEIRUT — When artist Kevork Mourad thinks of his childhood in Aleppo, Syria he talks of the road he walked to reach the church attended by his family, in the city’s old quarter. The buildings lining the way, he recalls, crowded above one’s head in an indistinguishable tangle: synagogues, Roman Catholic churches, and mosques. “All these things are on top of each other, built like a puzzle,” he says. His destination was an old Armenian Orthodox church. “There was one stone that people would go and kiss. This stone was MELTED,” he says. “From kissing, melted! Amazing. Lips can melt stone.” More of this article
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