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01 Work, Merry Christmas to all, Per Breiehagen' The Reluctant Reindeer, with Footnotes
Merry Christmas Wishes for the festive season! Christmas is a season of joy, love, and togetherness, making it the perfect time to spread festive cheer with thoughtful wishes... and prayers for the people of Gaza! They need at least that.
Per Breiehagen: "I grew up in Ål, a small mountain town in southern Norway, surrounded by a rugged landscape, unique characters, and magical light. My father was a photographer and I started experimenting with the camera at an early age. It didn’t take long before the passion took hold. My love for the outdoors and location photography has led to advertising and editorial assignments around the world, including The North Pole, Greenland and Antarctica. I documented the last dogsled expedition across Antarctica, the Trans-Antarctica Expedition; a 3741 mile long epic journey led by explorer Will Steger, for National Geographic. As an avid skier, mountaineer, and mountain biker, I bring an understanding of motion and realism to action shoots and a creative fine arts feel to the surrounding environment. I love the challenge of big productions as well as smaller shoots where a scaled down crew can move quickly from one location to another. I truly enjoy meeting new people and feel as much at home working with an elite athlete or celebrity as a reindeer herder in the mountains of Norway. It's all about getting memorable shots and having a great time doing it! The camera has introduced me to great people around the world, I feel fortunate that I can journey through life doing what I love." More on Per Breiehagen
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01 Work, Utagawa Kuniyoshi's Triptych of Takiyasha the Witch and the Skeleton Spectre, with Footnotes
Utagawa Kuniyoshi (1797 - 1861)
Triptych of Takiyasha the Witch and the Skeleton Spectre, 19th century
Woodblock print
Honolulu Museum of Art
This print shows a mythical episode in which the emperor's official, Mitsukuni, comes to search for surviving insurrectionary conspirators.
The historical Princess Takiyasha was the daughter of the provincial warlord Taira no Masakado of Sōma, who tried to set up an "Eastern Court" in Shimōsa Province in competition with the emperor in Heian-kyō (modern Kyoto). That rebellion was put down in the year 939 and he was defeated, then decapitated. After his death, Princess Takiyasha continued living in the ruined shōen, or rural manor-house, of the Sōma clan, Masakado's former residence.
This print shows a mythical episode in which the emperor's official, Mitsukuni, comes to search for surviving insurrectionary conspirators. More on this work
Utagawa Kuniyoshi (1797-1861) was born in Edo (present-day Tokyo) in 1797. At the age of 14, Yoshisaburo joined the Utagawa School of ukiyo-e artists, then headed by Utagawa Toyokuni I (1769 - 1825). In 1814, Kuniyoshi ended his apprenticeship and set out as an independent artist. He initially produced actor prints in the style of his teacher, which gained him little recognition.
Kuniyoshi achieved a commercial and artistic breakthrough in 1827 with the first six designs of the series, The 108 Heroes of the Suikoden. The series was bases upon a 14th century Chinese novel about the adventures of a band of 108 honorable bandits and rebels. Like his teacher, Kuniyoshi had many students. Although Kuniyoshi is now universally known as Utagawa Kuniyoshi, he also used the names Ichiyusai Kuniyoshi, Cho-o-ro Kuniyoshi, Igusa Kuniyoshi, Ichi Kuniyoshi and Saihosa Kuniyoshi. He died from complications of a stroke on April 14, 1861. More on Utagawa Kuniyoshi
Kuniyoshi achieved a commercial and artistic breakthrough in 1827 with the first six designs of the series, The 108 Heroes of the Suikoden. The series was bases upon a 14th century Chinese novel about the adventures of a band of 108 honorable bandits and rebels. Like his teacher, Kuniyoshi had many students. Although Kuniyoshi is now universally known as Utagawa Kuniyoshi, he also used the names Ichiyusai Kuniyoshi, Cho-o-ro Kuniyoshi, Igusa Kuniyoshi, Ichi Kuniyoshi and Saihosa Kuniyoshi. He died from complications of a stroke on April 14, 1861. More on Utagawa Kuniyoshi
Please visit my other blogs: Art Collector, Mythology, Marine Art, Portrait of a Lady, The Orientalist, Art of the Nude and The Canals of Venice, Middle East Artists, 365 Saints, 365 Days,
and Biblical Icons,
also visit my Boards on Pinterest and my art
stores at deviantart and Aaroko
Images are copyright of their respective owners, assignees or others.
Some Images may be subject to copyright
I don't own any of these images - credit is always given when due unless
it is unknown to me. if I post your images without your permission, please tell
me.
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01 Works The amorous game, Potentially Gillis Mostaert's Couple in love on a stormy sea, with Footnotes #98
Flemish school, Second half of the 16th century
Potentially Gillis Mostaert (1534-1598)
Couple in love on a stormy sea
Oil on panel
13.2 x 18cm.
Private collection
This painting was Estimate at €800 - €1,200 in May 2023
Gillis Mostaert the Elder (27 or 28 November 1528 – 28 December 1598) was a Flemish Renaissance painter and draughtsman active in Antwerp in the second half of the 16th century. He was a versatile artist who worked in various genres including landscape, genre and history painting. Gillis Mostaert was known in particular for his winter landscapes and his scenes with fires and nocturnal scenes and his works in this genre were among the most sought after pieces of his time. The artist operated a large workshop in Antwerp, which supplied works to prominent patrons. He was a regular collaborator with leading Antwerp artists of his time. More on Gillis Mostaert the Elder
Flemish painting flourished from the early 15th century until the 17th century, gradually becoming distinct from the painting of the rest of the Low Countries, especially the modern Netherlands. In the early period, up to about 1520, the painting of the whole area is typically considered as a whole, as Early Netherlandish painting. This was dominated by the Flemish south, but painters from the north were also important. Dutch and Flemish Renaissance painting, of which Antwerp became the centre, covers the period up to about 1580 or later, by the end of which the north and south Netherlands had become politically separated. Flemish Baroque painting was especially important in the first half of the 17th century, dominated by Rubens.
In theory the term does not refer to modern Flanders but to the County of Flanders and neighbouring areas of the Low Countries. Flanders delivered the leading painters in Northern Europe and attracted many promising young painters from other countries. More on Flemish painting
Please visit my other blogs: Art Collector, Mythology, Marine Art, Portrait of a Lady, The Orientalist, Art of the Nude and The Canals of Venice, Middle East Artists, 365 Saints, 365 Days,
and Biblical Icons,
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stores at deviantart and Aaroko
Images are copyright of their respective owners, assignees or others.
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04 Works, The amorous game, Cornelis Bega's Peasants in a Tavern, with Footnotes, #98
Cornelis Bega (Artist, 1620-1664) Haarlem, Netherlands
Young Couple in a Tavernc. 1661
Oil on canvas
height: 39 cm (15.3 in); width: 34.5 cm (13.5 in)
Hallwyl Museum
The man on the left, facing the woman' and sitting on a rough gray bench, right arm in front of his chest, in his hand a chalk pipe, his left hand resting on his thigh and holding a red-brown four-sided dish on his knee. The woman seated apparently on the same bench, next to the man but in the opposite direction, her upper body facing him, in her right hand a tall glass, mostly hidden by the man's cap, her left hand on the man's left wris. Behind the man on another bench, a man sitting facing away in a dark brown beret-like cap. To the right, somewhat in the background, a seated man facing him in a brown hat with a dented peak and folded brim. Next to these on the left, a standing barrel with wooden bands, each containing a large four-sided glass bottle with yellowish-brown contents and a white paper. On golf course in front of the barrel is a grey-brown plank stump. To the right, behind the woman, a seated man, supporting his crossed arms against stacked dark packages. More on this painting
Peasants in a Tavern, c. 1662
Oil on canvas
48.6 x 41.5 cm
Szépművészeti Múzeum
A peasant woman seduced by a man in an interior
Oil on canvas
37.2 x 32.7 cm.
Private collection
Sold for EUR 213,600 in May 2005
HThe present work is afine example of the low-life genres Bega liked to paint. The influence of Adriaen van Ostade is evident in style, in the restrained palette, vivid accents and subject matter, and would suggest that the painting is a relatively early work by the artist. The attractive, balanced composition and intimate atmosphere of only a few people in an interior points however towards an already personalized style and therefore at least not from the artist's very earliest career. More on this painting
Cornelis Pietersz Bega, attributed to
Tavern Scene (Ill Matched Couple)
Oil on panel
32.5 x 24 cm.
Private collection
Estimated for €2,500 EUR - €3,500 EUR in May 2023
Cornelis Pietersz Bega, or Cornelis Pietersz Begijn (1631/32 – 27 August 1664) was a Dutch Golden Age painter and engraver.
He was a student of Adriaen van Ostade, and produced genre scenes of similar subjects, typically groups of a few peasant figures, often in interior settings.
From 1653 to 1654 he traveled by horse and boat on a Grand Tour with fellow painters Dirk Helmbreker, Vincent van der Vinne and Guillam Dubois through Germany, Switzerland and France. This trip was recorded in Vincent van der Vinne's diaries and gives an accurate view of the art in the cities they visited in those times. His dated works begin in 1652, and in 1654 he was accepted into the Haarlem Guild of St. Luke, dying only ten years later, which according to Houbraken was due to the plague. He was close friends with the Haarlem painter Leendert van der Cooghen. When he died he was buried in the grave of his grandfather Cornelis van Haarlem. More on Cornelis Pietersz Bega
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Images are copyright of their respective owners, assignees or others.
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02 Paintings, Streets of Paris, Frank Boggs and Eugène Galien- Laloue's Images of Notre-Dame Cathedral in Paris , with footnotes, Part 95
Frank Boggs
Boats on the River Seine with Notre Dame in the Background
Available for £6,800 in Dec 2024
Notre-Dame Cathedral , commonly known as Notre-Dame , is one of the most iconic monuments in Paris and France. It is located on the Île de la Cité and is a Catholic place of worship , seat of the Archdiocese of Paris , dedicated to the Virgin Mary. More on Notre-Dame Cathedral
Frank Myers Boggs was born in Springfield, Ohio, but left Ohio in 1876 for study with Jean-Léon Gérôme at the École des Beaux Arts in Paris. He lived in Paris and New York, residing the last thirty years of his life in Paris. In Paris he won wide recognition for his atmospheric paintings of the ports of France and the quays along the Seine. His works were exhibited frequently in France. Between 1879 and 1916, his work was also shown in the United States, most often at the National Academy of Design, in New York, and at the Pennsylvania Academy of the Fine Arts, in Philadelphia.
Known as a master of plein-air painting, Boggs delighted in capturing the fleeting effects of the constantly changing skies of northern France and southern England. With lush and broad brush strokes, Boggs created rich and spacious paintings, orchestrating a subtle and restrained palette of grays, deep and dusty blues, and earthy tans. Although his palette is more subtle and tonal than that of the French Impressionist Claude Monet, Boggs’ paintings demonstrate clear affinities with the early French Impressionist school. Like his fellow Impressionists, it was the transitory aspects of nature, as well as the documentation of everyday reality, to which Boggs was keenly sensitive. More on Frank Myers Boggs
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Eugène Galien- Laloue (French, 1854-1941)
Notre Dame de Paris, vue du Quai de Montebello
Gouache on paper
9-1/2 x 12 inches (24.1 x 30.5 cm)
Private collection
Sold for $16,250.00 in Dec 2024
Eugène Galien-Laloue (1854–1941) was a French artist of French-Italian parents and was born in Paris on December 11, 1854. He was a populariser of street scenes, usually painted in autumn or winter. His paintings of the early 1900s accurately represent the era in which he lived: a happy, bustling Paris, la Belle Époque, with horse-drawn carriages, trolley cars and its first omnibuses. Galien-Laloue's works are valued not only for their contribution to 20th-century art, but for the actual history, which they document. His work can be seen at the Musée des Beaux-Arts, Louvier; Musée des Beaux-Arts, La Rochelle; Mulhouse, France.
A typical Galien-Laloue painting depicts sidewalks and avenues crowded with people or tourists mingling before the capital's monuments. He also painted the landscapes of Normandy and Seine-et-Marne, as well as military scenes he was commissioned to produce in 1914. The Republic of France selected Galien-Laloue to work as a 'war artist,' both during the Franco-Prussian War and World War I, chiefly in watercolor. More on Eugène Galien-Laloue
1 Work , The Art of War, Philip Francis Stephanoff's An armourer's shop, with footnotes
JAMES STEPHANOFF (BRITISH, 1787-1874)
An armourer's shop, c. 1841
Pencil, watercolour and bodycolour heightened with touches of gum arabic
73⁄8 x 103⁄8 in. (18.7 x 26.4 cm.)
Private collection
Sold for GBP 1,008 in Jul 2022
Philip Francis Stephanoff, sometimes Francis Philip Stephanoff (1787/88–1860) was an English painter.
He was born in Brompton Row, London. His father, Fileter N. Stephanoff, was a Russian who settled in England and worked painting ceilings and stage scenery, until he committed suicide around 1790; his mother Gertrude Stephanoff (died 7 January 1808) was a flower-painter with Sir Joseph Banks as patron. James Stephanoff (1788?–1874), also an artist, was his elder brother.
Stephanoff became a popular painter of historical and domestic subjects, working both in oils and watercolours. He exhibited at the Royal Academy and British Institution from 1807 to 1845, and with the Old Watercolour Society from 1815 to 1820.
His wife, Selina Roland, died suddenly. Stephanoff ceased to work as artist many years before his own death, which occurred at West Hanham, near Bristol, on 15 May 1860. More on Philip Francis Stephanoff
Please visit my other blogs: Art Collector, Mythology, Marine Art, Portrait of a Lady, The Orientalist, Art of the Nude and The Canals of Venice, Middle East Artists, 365 Saints, 365 Days,
and Biblical Icons,
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stores at deviantart and Aaroko
Images are copyright of their respective owners, assignees or others.
Some Images may be subject to copyright
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it is unknown to me. if I post your images without your permission, please tell
me.
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