The truism that (art) history is written by the victors has a particular relevance to the narratives and images created during the heyday of European colonial empires in the Americas. Sculptures and paintings made from the beginning of contact through to the twentieth century show Indigenous North Americans as figures who are destined to fade out of history. Kent Monkman’s mistikôsiwak (Wooden Boat People) turns these stereotypical and romanticized images on their heads by confronting the viewer with a counter-narrative of the past, present, and future of Indigenous-settler relationships. More on this painting
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