01 Work, Streets of Paris, BRASSAÏ's Deux filles de Joie, Part #81

BRASSAÏ (1899–1984)
Deux filles de Joie, Boulevard Rochechouart, Montmartre, c. 1932
Ferrotyped gelatin silver print, printed 1940s
 117⁄8 x 83⁄4 in. (30.1 x 22.2 cm.)
Private collection

The Boulevard Marguerite-de-Rochechouart is a street in Paris, France, situated at the foot of Montmartre and to its south. Like the neighbouring street, it is named after Marguerite de Rochechouart de Montpipeau (1665–1727), abbess of Montmartre. It is a result of the 1864 merging of the boulevards and chemins de ronde which followed the interior and exterior of the Wall of the Farmers-General. It has also been known as the boulevard des Poissonniers, chemin de ronde de Poissonnière and chemin de ronde de Rochechouart. It is served by the Paris Metro stations Pigalle, Anvers and Barbès – Rochechouart. More on Boulevard Rochechouart

Brassaï, pseudonym of Gyula Halász (9 September 1899 – 8 July 1984) was a Hungarian–French photographer, sculptor, medalist, writer, and filmmaker who rose to international fame in France in the 20th century. He was one of the numerous Hungarian artists who flourished in Paris beginning between the world wars.

In the early 21st century, the discovery of more than 200 letters and hundreds of drawings and other items from the period 1940 to 1984 has provided scholars with material for understanding his later life and career. 

Halász's job and his love of the city, whose streets he often wandered late at night, led to photography. He first used it to supplement some of his articles for more money, but rapidly explored the city through this medium, in which he was tutored by his fellow Hungarian André Kertész. He later wrote that he used photography "to capture the beauty of streets and gardens in the rain and fog, and to capture Paris by night." Using the name of his birthplace, Halász went by the pseudonym "Brassaï," which means "from Brasso." More on Brassaï




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01 Painting, The amorous game, by Gaetano Bellei, Part 63 - With Footnotes

Gaetano Bellei (Italian, 1857–1922)
Untitled 
Oil on canvas laid down to paperboard
19 5/8 x 27 3/4 in. (49.9 x 70.5cm)
Private collection

Gaetano Bellei was an Italian Academic Painter who was born in 1857. He later died in 1922 in the same city. He enhanced his artistic talent by learning art from Adeodato Malatesta and Comrade of John Muzzioli. When he was 24 year old, he won the Retired Potetti due which he was able to visit Rome to study arts. One of his most notable masterpieces is Rizpah which he completed there.

He took part in many local exhibitions in Florence. Afterwards, he came back to his native city and became a professor in the Institute of Fine Arts Designer Polite. He was a master of fine art and used to use palette as a bright, fresh and creative tool. He was also a brilliant portrait artist. He has held many art exhibitions throughout his life, one such notable art exhibition was held in London in 1822 at The Royal Academy. More on Gaetano Bellei




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1 Work, Gayle Porter Hoskins' The Battle of Little Bighorn

Gayle Porter Hoskins (1887-1962)
The Battle of Little Bighorn, c. 1928
Oil on canvas
48 x 60 in. (121.9 x 152.4 cm.)
Private collection

The most significant battle of the Great Sioux War of 1876, The Battle of Little Bighorn involved the combined forces of the Lakota, Northern Cheyenne and Arapaho tribes versus the 7th Cavalry Regiment of the United States Army. Commonly known as Custer's Last Stand, the conflict resulted in a devastating loss for the United States and the death of the former Civil War general Lieutenant Colonel George Armstrong Custer. More on this painting

Gayle Porter Hoskins (July 20, 1887 – January 14, 1962) was an American illustrator. Hoskins began his training at the Chicago Art Institute and later studied under Howard Pyle in Wilmington, Delaware.

He was born in Brazil, Indiana to William "Pica" Thompson Hoskins, a sheet-music dealer, and Madge Porter Hoskins in 1887. The family moved to Denver, Colorado five years later. About 1901, he began publishing cartoons in the Denver Post. Three years later his mother died and the family moved back east to Chicago. Hoskins then studied at the School of the Art Institute of Chicago and studied under Charles Francis Browne, Frank Phoenix, Thomas Wood Stevens, and John Vanderpoel. He began working for Marshall Field and Company as a mural designer and published illustrations in Redbook in 1907.

Howard Pyle invited Hoskins to study at Pyle's school in Wilmington in 1907. Hoskins studied there until 1910 under Pyle and later under Frank Schoonover. He became a nationally known illustrator by 1918 publishing in Harper's Weekly, Good Housekeeping, Liberty, Saturday Evening Post, Cosmopolitan, and other magazines.

For financial reasons he began working for pulp magazines after the Crash of 1929. His illustrations appeared on the covers of Western Story, Complete Stories, Top-Notch, Sure-Fire Western, Super Western, and Western Trails. After 1938 he stopped publishing in the pulps, preferring portraits and historical subjects instead. More on Gayle Porter Hoskins




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01 Painting, Streets of Paris, Francois Gall's Montmartre, Part 76

Francois Gall, French, 1912-1987
Montmartre, circa 1950
Oil on canvas
17 3/4 x 23 inches (45 x 58.4 cm)
Private collection

With its cobbled streets, stunning Basilica, artists, bistros ... Montmartre is full of charm! Perched on the top of a small hill in the 18th arrondissement, the most famous Parisian district has lost none of its village atmosphere that appealed so much to the artists of the 19th and 20th centuries. A real melting pot of art and inspiration for the cinema, Montmartre still gives as much pleasure to those who stroll around it and figures high on the list for a stay in Paris. More on Montmartre

François Gall (1912–1987) was a Hungarian painter. He became an impressionist painter in the pure French tradition after he moved to Paris in 1936. He was born in Kolozsvar in the former region of Transylvania on March 22, 1912 and began studying all media at the Royal Academy of Fine Arts in Rome while working menial jobs to secure a living. In 1939, the Hungarian government awarded Gall with a scholarship for his artistic merit.

Six years later, Francois Gall established himself in Paris and became a student of Devambez at the National Academy of Fine Arts. He greatly admired the first generation of Impressionists and adopted their concepts for his own interpretations. Parisian scenes and and portrayals of women engaged in typically feminine activities were amoung his preferred subjects. Francois was a modern impressionist, bringing his own unique personality to this most enduring style.

Gall participated in various Salon exhibitions in Paris and became a favorite with the public. In 1963, he was honoured with the Francis Smith Prize. He died in 1987. More on François Gall





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01 Painting, The amorous game, Adam Styka's THE LOVERS, Part 77 - With Footnotes

After Adam Styka 
THE LOVERS
Oil on canvas
101 X 67 CM (39 3/4 X 26 3/8 IN.)
Private collection

Adam Styka , born April 7, 1890 and died September 23, 1959 in Doylestown (Pennsylvania) was born in Poland in 1890. He completed his formal education at the French Academy of Fine Arts, and painted closely under the tutelage of his father, Jan Styka. Each year Adam exhibited his paintings in the Paris' Salon de Paris, Champs Des Elysses and others in Europe and countries of both Americas.

After graduating from the French Military Academy in Fontainebleau, Adam served in the French artillery during the World War I. He was decorated with a Cross of Merit. Also as a reward, he was granted the French "Nationality Citizenship" and a special assistance from the French Government to visit French colonies in Northern Africa. As the result of these annual journeys, Adam developed an entire genre of Middle-Eastern and Oriental themes. 

Adam Styka passed away on 23rd of September 1959 in Doylestown, Pennsylvania. More Adam Styka





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