Wednesday, February 6, 2013
As Lawsuits Draw Scrutiny of Art Trade Practices - @ZaidanGallery http://goo.gl/s5ftU
Gagosian is understandably mounting a spirited defense of his staff, galleries, and successful business practices. I am not going to speculate on the veracity of these claims or on the possible outcome of the cases, but I’d argue that the lawsuits offer a rare, possibly even welcome chance to shine a light on some important issues. The depositions reveal some long-term conflicts of interest in art dealing, how easily people who are unaware of them can lose out, and how the problem is made worse by the lack of transparency in the art trade. These issues should be of concern to everyone.
Auction houses represent the consignors or the sellers, and not the bidders. This much is clear. Day to day, they actively seek to drum up interest from multiple buyers, they set reserves so that sellers aren’t forced to part with work at unreasonable prices, and in the most recent and contentious development, they even contract for guaranteed bids to secure the object and ensure the seller will not get burned when a work goes unsold.
The situation gets messier for secondary-market dealers, who remain pretty much free of regulation — industry bodies like the Art Dealers Association of America seek to impose basic standards through its accreditation process, but the standards remain vague and largely lack enforcement mechanisms. So what does this mean? Well, first, whereas it is often assumed that the job of secondary-market dealers is, like the auction houses, to maximize profits for sellers, some dealers who take works on consignment may look to reward themselves and frequent buyers to the disadvantage of consignors who may not be familiar with the value of the work in question. So be it. Such dealers make their money at the margins... more